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Baldwin Wallace FOCUS Festival to feature music by David Lang

March 15, 2016 by Daniel Hathaway

by Mike Telin

When questions arise while learning a new piece of music, there’s no greater resource for musicians than the composers themselves. Beginning on Wednesday, March 16, Baldwin Wallace University’s Conservatory of Music will kick off its biennial FOCUS Festival, which will feature three concerts of music by the Pulitzer Prize-winning composer David Lang. And yes, Lang will be on hand to answer any questions that students and faculty may have regarding his music and career.

“The festival has been going on since the ‘70s, and it all started because we don’t get to ask composers like Bach any questions,” BW composer-in-residence and assistant professor of music Clint Needham said during a telephone conversation. [Read more…]

Oberlin Artist Recital Series: Bang on a Can All-Stars (February 28)

March 4, 2015 by Daniel Hathaway

by Mike Telin

On Saturday, February 28 in Finney Chapel, the Oberlin Artist Recital series presented the Bang on a Can All-Stars in a high energy concert that featured music by Bang on a Can founders David Lang, Julia Wolfe and Michael Gordon, as well as works by Kate Moore, Steve Martland and Philip Glass. [Read more…]

Oberlin Artist Recital Series presents Bang on a Can All-Stars: a conversation with composer David Lang

February 24, 2015 by Daniel Hathaway

by Mike Telin

Since playing their first marathon concert on Mother’s Day of 1987 in a SoHo art gallery, Bang on a Can founders Michael Gordon, David Lang and Julia Wolfe have gone on to create a multi-faceted performing arts organization with a broad range of year-round international activities. One of those activities is the Bang on a Can All-Stars. Formed in 1992, the All-Stars present dynamic performances of music that inventively crosses the boundaries between classical, jazz, rock, world and experimental music.

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Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

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