Donna Stewart Archives - Cleveland Classical

Mignarda in “Byrd songes” at St. John’s Cathedral (Feb. 24)

March 11, 2019 by Daniel Hathaway

by Daniel Hathaway

Mignarda, the longstanding soprano-lute duo of Donna Stewart and Ron Andrico, doubled its forces at St. John’s Cathedral on Sunday afternoon, February 24 for “Byrd songes,” a program of devotional and liturgical music by William Byrd. By adding José Gotera and Malina Rauschenfels to their roster, Mignarda created a splendid vocal quartet who sang revelatory versions of Byrd’s Mass for Four Voices and Ave verum corpus in the second half of the concert. [Read more…]

CD Review — Duo Mignarda: Magnum Mysterium

December 13, 2017 by Hannah Schoepe

by Hannah Schoepe

In their latest album, Magnum Mysterium: Advent & Christmas Music for Lute and Voice, the Cleveland-based Duo Mignarda creates a sense of historical purity — the perfect tranquil holiday setting. Released on the group’s personal label, the CD was recorded in Immaculate Conception Church and the Shrine Church of St. Stanislaus in Cleveland in 2016. Mezzo-soprano Dona Stewart and lutenist Ron Andrico are joined by double harpist Frederick Lautzenheiser, who adds texture and color to several tracks. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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