by Daniel Hathaway
The superb London-based Doric String Quartet brought both musical and equipment surprises to their riveting performance on the Oberlin Artist Recital Series in Finney Chapel on February 22. Period bows came out not only for the opening Haydn quartet but also for the concluding Mendelssohn, lending extra flexibility to the former and an unusual suppleness to the latter. And Britten’s String Quartet No. 3 enjoyed an extra dollop of authenticity through Hélène Clément’s viola, an 1843 instrument by Giussani that had been gifted by Frank Bridge to Britten — his star pupil — just before the composer had sailed off to the United States. [Read more…]