Drew Peterson Archives - Cleveland Classical

CIPC’s second Young Artist Competition to run from May 30 through June 9

May 22, 2018 by Daniel Hathaway

by Daniel Hathaway

Twenty-two young pianists from eleven countries will flock to the Cleveland Institute of Music next week to compete in both junior and senior divisions of the Cleveland International Piano Competition for Young Artists. (Meet the contestants here.)

The competition — verging on a festival with the inclusion of several extra events — will be set in motion on Wednesday evening, May 30 with a 7:30 pm opening ceremony in Kulas Hall featuring Canadian pianist Leonid Nediak. Only 12 when he took home second prize in CIPC’s junior division in 2015, Nediak will play solo works before joining Liza Grossman and the Contemporary Youth Orchestra in the first movement of Rachmaninoff’s Second Concerto. WCLV’s Robert Conrad will introduce all of the contestants from the stage, and a reception will follow.

Competition rounds begin on Thursday afternoon, May 31 in Kulas Hall and continue daily through the semifinal rounds on June 6, when three pianists in each of the junior (ages 12-14) and senior divisions (ages 15-17) will advance to the final round. That event, on Friday, June 8 at 7:30 pm at the Maltz Performing Arts Center, will feature concerto performances with Gerhardt Zimmermann and the Canton Symphony Orchestra. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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