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Michel Bouvard: recital for the 40th Anniversary of Trinity’s Flentrop (Oct. 24)

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by Daniel Hathaway

Bouvard-MichelFrench organist Michel Bouvard visited Trinity Cathedral on Tuesday, October 24 to play a wide-ranging recital in celebration of the 40th Anniversary of the cathedral’s Flentrop organ. With the assistance of two registrants who drew and retired stops — the organ was built in 1750s Dutch style, all-mechanical and with no gadgets for pre-setting combinations — Bouvard masterfully put the 1977 instrument through its paces in stylish performances of music ranging from Renaissance dances to transcriptions of works by Vivaldi and Mendelssohn. [Read more…]

Trinity Cathedral’s BrownBag Concert Series turns 40

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by Mike Telin

trinity-jake-sarahSince the BrownBag Concert Series at Trinity Cathedral presented its first concert in January of 1978, it has firmly established itself as an integral part of Cleveland’s vibrant music scene. Today the series hosts over 5,000 guests annually, from newborns to centenarians.

On Wednesday, October 4 at 12:00 noon, Music and Art at Trinity will kick off the 40th anniversary of the free series with a concert featuring the Trinity Chamber Orchestra under the direction of Todd Wilson and a return visit by the dynamic saxophone duo Jake & Sarah. The program includes music by Handel, Quantz, Glazunov, and Koch, as well as the world premiere of Nathan Hall’s Forces of Change, a concerto for solo saxophone and string orchestra.

“It’s a remarkable achievement for any concert series to go on for 40 uninterrupted years, and with such a high degree of success,” Todd Wilson, the Cathedral’s organist and director of music, said during a telephone conversation. [Read more…]

Organist Jonathan Ryan plays Bach’s Clavier-Übung III at Trinity Cathedral (Mar. 21)

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by Timothy Robson

RYAN-JonathanJohann Sebastian Bach’s monumental Clavier-Übung III is arguably the greatest collection of organ works of all time. Comprised of twenty-one chorale preludes and four duets, and bookended with a prelude and fugue in E-flat major, the Clavier-Übung III is the final distillation of Baroque organ counterpoint. American organist Jonathan Ryan played Bach’s longest, most complex, and most difficult organ work Tuesday evening, March 21 on Trinity Cathedral’s 1977 Flentrop organ. [Read more…]

Organist Jonathan Ryan to play
“Clav III” at Trinity Cathedral

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by Daniel Hathaway

RYAN-JonathanDespite its unassuming title, the idea of the Clavier-Übung — a collection of pieces exploring the practice of keyboard music — inspired a number of Baroque composers to some of their best compositional efforts. First among them was Johann Sebastian Bach, whose four-part published collection included the Six Partitas (collected in 1731), the Italian Concerto and French Overture (1735), the German Organ Mass (1739), and the aria with thirty variations we’ve nicknamed the “Goldberg Variations.”

Organist Jonathan Ryan, who pursued his undergraduate studies with Todd Wilson at the Cleveland Institute of Music before moving on to Eastman, will play the German Organ Mass, or Clavier-Übung III, on the Flentrop Organ in Trinity Cathedral on Tuesday, March 21 at 7:30 pm. [Read more…]

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