George Crumb Archives - Cleveland Classical

Flutist Lorna McGhee to join ChamberFest for George Crumb’s Voice of the Whale

June 19, 2018 by Jarrett Hoffman

by Jarrett Hoffman

In 1969, George Crumb heard the complex, otherworldly singing of the humpback whale — then a deeply endangered species — and was inspired to write Vox Balaenae (“Voice of the Whale”). A trio for flute, cello, and piano, all amplified, the work continues to fascinate audiences with its imitation of whale song, and the feeling it conjures of time standing still.

Taking the composer’s suggestion, ChamberFest Cleveland will cast a deep blue light over the stage of Mixon Hall at the Cleveland Institute of Music on Thursday evening, June 21, when they present Crumb’s underwater epic as part of a 7:30 pm concert titled “A Turn in the Road.” The program will also include Dvořák’s Piano Trio No. 3 in f and the “Adagio” from Berg’s Chamber Concerto.

I recently spoke with Scottish-born Lorna McGhee, principal flute of the Pittsburgh Symphony and professor at Carnegie Mellon University. [Read more…]

ChamberFest Cleveland: a conversation with percussionist Marc Damoulakis

June 23, 2015 by Daniel Hathaway

by Daniel Hathaway

You’ve seen him performing with The Cleveland Orchestra in back of a hundred of his colleagues, wielding a comically oversized hammer in Mahler’s Sixth Symphony, playing stunning mallet duets in Messiaen’s Chronochromie, or providing a rock-solid snare drum cadence for Ravel’s Bolero. But on Thursday, June 25 in Mixon Hall at CIM, TCO’s principal percussionist Marc Damoulakis will be featured in a chamber music performance, when he joins fellow percussionist Scott Christian and duo-pianists Orion Weiss and Roman Rabinovich for George Crumb’s Music for a Summer Evening on ChamberFest Cleveland’s seventh concert of its fourth season.

The five-movement piece forms the third part of the composer’s Makrokosmos, a work that received its premiere at Swarthmore College in 1974 and was last performed in Cleveland in November of 2010 by members of Chamber Music at Lincoln Center on the Cleveland Chamber Music Society series. “I’ve played it a number of times,” Damoulakis said in a telephone conversation. “At Tanglewood in the late ‘90s, then with Manny Ax and his wife on the ‘Great Performances’ series in New York, I think in 2001. I find this piece to be one of the greats. It’s a masterpiece like Beethoven’s ‘Eroica’ Symphony, a piece everyone should hear.” [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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