Great Lakes Trombone Ensemble Archives

Great Lakes Trombone Ensemble performs at Drinko Hall.

June 11, 2015 by Jeremy Reynolds

by Jeremy Reynolds

Two trombones led the opening melody of Giovanni Gabrieli’s Jubilate Deo with seven more close at hand to join in the counterpoint. On Tuesday, June 9 the Great Lakes Trombone Ensemble delivered a program of fanfares, folk tunes, film music and more in Drinko Hall at Cleveland State University.

The group comprises members of The Cleveland Orchestra, the Buffalo Philharmonic, the Detroit Symphony, the Pittsburg Symphony, the Rochester Philharmonic, Toledo Symphony, and faculty members from Akron and Cleveland State University. The Ensemble performed during the annual Cleveland Trombone Seminar, which Cleveland assistant principal trombone Shachar Israel initiated in 2011. [Read more…]

Review: The Great Lakes Trombone Ensemble

June 10, 2014 by Special to ClevelandClassical.com

GLTE

By Daniel Hautzinger

If you’re near the music building of Cleveland State University this week, you’re likely to run into a number of people carrying trombones. Beginning its third year last Saturday and continuing through Sunday the 15^th at CSU, the Cleveland Trombone Seminar (CTS) seeks to teach trombonists important musical skills in addition to physical and mental wellness while performing and practicing. The Seminar is the brainchild of Cleveland Orchestra Assistant Principal Trombone and CSU Faculty member Shachar Israel. It also features a series of concerts by faculty, guests, and participants in CSU’s Drinko Hall.

On Monday, June 9, the Great Lakes Trombone Ensemble, a nonet featuring professional orchestral trombonists from the Great Lakes region, gave the second concert of the Seminar. [Read more…]

Singers’ Club of Cleveland: To Dwell in Harmony (Dec. 9)

by Kevin McLaughlin

The Singers’ Club of Cleveland brought the joy of the season to Trinity Cathedral on Tuesday evening with a program titled To Dwell in Harmony, a holiday offering both polished and good-humored. The venerable all-male chorus — whose lineage stretches back to 1891 and includes collaborations with conductors from Beryl Rubinstein to Robert Shaw — now finds itself under new leadership.

Christopher Clark, appointed in August as Artistic Director (while serving concurrently as Director of Choirs at Case Western Reserve University), led his first Singers’ Club concert with easy command. The chorus appeared to trust him from the first downbeat, and the audience received him just as warmly.

Trinity Cathedral, whose acoustics can flatter or expose a chorus in equal measure, proved an asset. The evening opened with one of its most effective moments: Veni, Veni Emmanuel in John Englert’s arrangement. Clark placed the choir on three sides of the audience, creating a surround-sound of chant that was silky and assured — a confident beginning. [Read on…]

Les Délices welcomes the festive season with “Noel, Noel” (Dec. 7)

by Stephanie Manning

Once December kicks in, an almost overwhelming number of holiday programs pop up around Northeast Ohio. But Les Délices’ offering should draw your attention.

While other festive concerts may create the atmosphere of a bustling party by the fireplace, “Noel, Noel” is like observing a snowy evening from the warmth of the indoors. This is music best enjoyed in quiet contentment, and especially live — so it’s no surprise that the early music ensemble brought back this signature program for three performances this month.

On December 7 at West Shore Unitarian Universalist Church, the six-member group presented a lovely ninety-minute program, which is also available on CD and via streaming until the end of the year. [Read on…]

Cleveland Chamber Choir: In Four Voices (Dec. 3)

by Kevin McLaughlin

Renaissance polyphony can bloom in resonant spaces, but the Donna and James Reid Gallery at the Cleveland Museum of Art presents particular challenges: hard surfaces and a long reverb tend to blur consonants into watercolor. The Cleveland Chamber Choir’s four-voice ensemble met those conditions head-on during its “In Four Voices” program on December 3. What emerged was an evening of consistently beautiful vocal timbre shaped by a group navigating the sonic characteristics of the room.

The concert, to be followed in January and March by appearances of various-sized ensembles, is part of a new development for the Cleveland Chamber Choir, called the Camerata Series — more information here.

To improve their chances of hearing one another, the quartet — soprano Lauren Vanden Broeck, mezzo-soprano Kira McGirr, tenor Joel Kincannon, and bass Dominic Aragon — stood in a traditional “part book” formation, like a diamond, facing inward. This meant that their sound was directed toward each other, rather than outward to the listeners around them. [Read on…]

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