by Kevin McLaughlin

Seven first-rate pieces for small ensembles received superb performances on Saturday, June 3 as part of the Local 4 Music Fund’s She Scores series, which spanned three programs over three days in Drinko Hall at Cleveland State University. Oberlin Conservatory musicology professor Emily Laurance provided informative and engaging remarks beforehand. The program offered a cornucopia of ear-tugging, seldom-heard pieces, or premieres, all by women-identifying or non-binary composers, many with Ohio or Cleveland connections.

Akron native Margi Griebling-Haigh, a longtime fixture of the Cleveland new music scene, was represented by ¡de Chiripa!, the opening work. The title translates to “by chance” or “by a fluke,” suggesting a playful or casual perspective. Scored for English horn and two guitars, the work references Spanish music both through its title and its use of Phrygian semitones and dance rhythms. Guitarists Andy Poxon and Bryan Reichert contributed to the Mediterranean warmth, and English hornist Cyn Warren displayed apt nobility and ardor.

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