Jared Yackiw Archives - Cleveland Classical

Decho Ensemble at Bop Stop (July 19)

July 27, 2015 by Daniel Hathaway

by Mike Telin

When the Belgian instrument maker Adolph Sax invented the instrument that bears his name in 1840, it’s unlikely that he imagined the many ways the saxophone would be employed by musicians of differing musical genres. On Sunday, July 19 at the Bop Stop, the excellent Decho Ensemble (Jacob Swanson, soprano sax, Sarah Marchitelli, alto sax, Nicholas Child, tenor sax, Jared Yackiw, baritone sax) played a concert of music on vintage instruments that highlighted the saxophone’s classical origins, as well as celebrated the 200th anniversary of the birth of Adolph Sax. [Read more…]

Decho Ensemble celebrates the 200th anniversary of the birth of Adolph Sax (July 18 and 19)

July 14, 2015 by Daniel Hathaway

by Mike Telin

The saxophone duo “Jake and Sarah” are no strangers to Cleveland audiences. “We have really grown to love the city,” Jake Swanson told us in an interview prior to their October 2014 performances at Trinity Cathedral and Lorain Country Community College’s Signature Series. “The audiences are not only so sophisticated, they are also so open to new things.” This week Jake Swanson and Sarah Marchitelli will return to Cleveland along with their Decho Ensemble colleagues, saxophonists Nicholas Childs and Jared Yackiw, for two performances that celebrate the 200th anniversary of the birth of the inventor of the saxophone, Adolph Sax. The concerts take place on Saturday, July 18 at 7:00 pm in Tucker hall at St. Paul’s Episcopal Church, and Sunday, July 19 at 3:00 pm at the Bop Stop.

“We keep finding ourselves back in Cleveland. It’s become like a second home to us,” Swanson said during a recent telephone conversation. “We’re very excited about this program. It’s a lot of fun, and it celebrates the early tradition of our instruments.” The concerts will include the first work ever written for saxophone quartet, Jean Baptiste Singelée’s Premier Quaturo, Op. 53, and another early work for sax quartet by American composer Caryl Florio. The program will also include works by Dan Knorr, Philip Glass, and J.S. Bach. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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