by Daniel Hathaway

Five pianists appeared on the Gartner Auditorium stage on Friday evening to complete the initial parade of twenty-eight competitors and bring the first round of the Cleveland International Piano Competition to a very interesting conclusion.

26-year-old Wenbin Jin from China brought the two sides of Robert Schumann’s personality — the passionate represented by Florestan, the poetic by Eusebius — to life with an evocative performance of the Fantasiestücke, op. 12. His admirable playing (both poetic and passionate) was mitigated by his tendency to play repeated material in exactly the same way — lingering on the first notes of phrases, pausing before the last, applying rubato in identical spots — so that his expressiveness sounded formulaic rather than spontaneous. His grand conception of Ende vom Lied was appropriately valedictory. [Read more…]

by Daniel Hathaway

The Cleveland International Piano Competition got off to a strong start on Wednesday afternoon in Gartner Auditorium at the Cleveland Museum of Art. If the other twenty-three contestants can match the quality of the first five who played, this should prove to be a very interesting eleven days.

24-year old Ruoyu Huang from China was the lucky recipient of spot number one in the draw. He led off with nuanced performances of two Scarlatti sonatas (K. 45 and K. 17) that showed off his fleet passage work and clarity of touch. A Chopin set (the first 12 Preludes, Etude in e, op. 25/5 and Ballade in G, op. 23/1) had both fine and uneven moments. Some of the preludes fluctuated in tempo beyond an expressive rubato, and Chopin’s interesting harmonic progressions sometimes went unheralded. The Ballade, though exciting, became episodic and nearly Lisztian in scale. [Read more…]