Jonas Aumiller Archives - Cleveland Classical

Virtu(al)oso Piano Competition:
A Chat with Jonas Aumiller

July 29, 2020 by Daniel Hathaway

by Daniel Hathaway

German pianist Jonas Aumiller will perform in the 5th Session of the First Round of Piano Cleveland’s Virtu(al)oso Competition on Monday, August 3 at 7:00 pm. His 20-minute program includes a Busoni transcription of a J.S. Bach organ Prelude and Fugue, a Scriabin Etude, and a Rachmaninoff Etude-tableau.

Aumiller, 22, earned his bachelor’s degree summa cum laude from the Conservatorio F. A. Bonporti in Trento, Italy, and went on to complete a graduate diploma at Juilliard under Sergei Babayan. He’s currently working on a master’s degree with Babayan at the Cleveland Institute of Music.

I reached him in his hometown of Munich for a Skype conversation, and began by asking him what his life has been like since everything fell apart in March.

“I was still in Cleveland when the pandemic started in Germany, then I decided pretty quickly to leave America as I was afraid they would close the border, which they did.” But luckily, not before Aumiller had booked a flight back home. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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