Karen Gahl-Mills Archives - Cleveland Classical

Cuyahoga Arts & Culture announces 2017 awards

November 28, 2016 by Mike Telin

by Mike Telin

Since 2007, Cuyahoga Arts & Culture (CAC), one of the largest public funders of arts and culture in the nation, has invested over $154 million in more than 300 organizations that help to make Cuyahoga County a vibrant cultural community.

On Monday, November 14, at a public meeting of CAC’s Board of Trustees at the Mandel Jewish Community Center in Beachwood, CAC announced the investment of $14,573,833 in grants to 241 nonprofit organizations through CAC’s 2017 grant programs.

The grants, which will support arts and cultural organizations and projects of all sizes throughout Cuyahoga County, were unanimously approved by CAC’s Board of Trustees. The 2017 awards included 32 more projects than in 2016, as well as an increase of $255,988 in grant dollars. [Read more…]

Cuyahoga Arts & Culture at work — Jazz at the Settlement program

April 17, 2013 by Special to ClevelandClassical.com

by Mike Telin

Last week Cuyahoga Arts & Culture (CAC) released new data demonstrating that public funding for arts and culture is having a positive impact on the residents of Cuyahoga County. The Report focuses on CAC’s work in strengthening community in Cuyahoga County, by Enriching community, Enhancing education and Contributing to our local economy. (A PDF of the Report to the Community is available here).

“Each year CAC publishes a report that helps to show the public how their investment is being spent, and that it’s a good investment,” says CAC’s executive director, Karen Gahl-Mills. “But what I take away from this particular report, is that [not only do] we have great statistics but now that we’ve been [funding organizations] since 2006, we also have some great stories to tell.” One story that is highlighted in the report is the Cleveland Music Settlement’s Jazz at the Settlement (JAMS) program.

Music Settlement President and CEO Charles Lawrence says that when CAC dollars first started coming to the Settlement, he had just joined the organization and was looking at ways to inject new energy into the school’s department of music. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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