by Daniel Hathaway

Fresh air was blowing into Friday evening’s chamber music concert by Credo faculty, even if the Oberlin Conservatory’s Clonick Hall — being the recording studio that it is — has no windows to open. Departing from the usual concert format, where pieces are played in some kind of curated sequence from beginning to end, concert designers Lee Joiner and Steuart Pincombe took works by Henry Purcell, John Dowland, Benjamin Britten, and Ralph Vaughan Williams. and rearranged their movements into a kind of musical crazy-quilt. [Read more…]