Kurt Rohde Archives - Cleveland Classical

ChamberFest Cleveland: “Schubert Journeys” at Reinberger Chamber Hall (July 1)

July 6, 2016 by Daniel Hathaway

by Daniel Hathaway

Expanding its “Tales & Legends” theme in the direction of expeditions, ChamberFest Cleveland presented “Schubert Journeys” on Friday, July 1 in Reinberger Chamber Hall at Severance. In this case, the composer’s journeys were either brief and dramatic (in the Quartettsatz in c) or agreeably rambling — like a stroll in the countryside with no destination and no timetable (in the Octet). In between, Kurt Rohde’s … maestoso … mysterioso … sent two musicians off into uncharted territory with a curious set of tools. [Read more…]

ChamberFest Cleveland: meet composer Kurt Rohde

June 28, 2016 by Mike Telin

by Mike Telin

The seventh in a series of articles highlighting ChamberFest artists

Composers can be inspired by many things. A visit to a special place, an event, or listening to a piece of music can serve as the impetus to sit down and start writing. Composer and violist Kurt Rohde said that he found inspiration while preparing for a performance of Beethoven’s Op. 127 string quartet with the Left Coast Chamber Ensemble.

“Op. 127 happens to be my favorite Beethoven Quartet,” the Rome and Berlin prize-winner said during a telephone conversation. “I was inspired by the first movement because musically it does everything wrong in the most perfect way, and the result is this sublime, even extra-musical experience.”

On Friday, July 1 at 8:00 pm in Reinberger Chamber Music Hall at Severance Hall, ChamberFest Cleveland will present Kurt Rohde’s …maestoso…misterioso for amplified violin, viola and assorted items. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us