Lesley Robertson Archives - Cleveland Classical

Oberlin Artist Recital Series: St. Lawrence String Quartet (Nov. 11)

November 15, 2016 by Nicholas Jones

by Nicholas Jones

I walked into the St. Lawrence String Quartet concert at Oberlin’s Finney Chapel on Friday, November 11 hoping for a respite from the tensions and anxieties of the week’s events, and I was not disappointed. With total conviction and attentiveness, the St. Lawrence played music that soothed the nerves and stimulated the heart. I was expecting beauty, focus, and artistry. But I was not prepared for a further impact: the powerful message of how the St. Lawrence plays. [Read more…]

Next up on the Oberlin Artist Recital Series: St. Lawrence String Quartet on November 11

November 8, 2016 by Daniel Hathaway

by Daniel Hathaway

The St. Lawrence String Quartet, the resident ensemble at Stanford University, will be featured on the next Oberlin Artist Recital Series concert in Finney Chapel on November 11 at 8:00. Since the quartet’s last scheduled appearance in Oberlin in 2015 — cancelled due to an injury — the ensemble has welcomed a new second violinist, Owen Dalby.

Dalby will join violinist Geoff Nuttall, violist Lesley Robertson, and cellist Christopher Costanza on Friday evening in Joseph Haydn’s Quartet in f, Op. 20, No. 5, John Adams’s Second String Quartet, and Ludwig van Beethoven’s Quartet in a, Op. 132.

Originally formed in Canada, the St. Lawrence has been in residence at Stanford since 1999. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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