Muhai Tang Archives - Cleveland Classical

Belgrade Philharmonic Orchestra goes all-out at Severance Hall (October 7)

October 14, 2014 by Daniel Hathaway

by Daniel Hathaway

If it’s Tuesday, it must be Cleveland — the second of four stops in as many days on the Belgrade Philharmonic Orchestra’s breathless tour of the eastern United States under chief conductor Muhai Tang. Beginning on October 6 at Symphony Hall in Chicago, the BPO continued on after its performance in Severance Hall on October 7 to play at Strathmore in the Washington D.C. area on October 8, and at Carnegie Hall in New York on October 9. [Read more…]

Belgrade Philharmonic and San Francisco Symphony to play concerts at Severance Hall this fall

September 30, 2014 by Daniel Hathaway

by Daniel Hathaway

Visiting orchestras are rare on the Cleveland scene, but this fall, we’ll have the opportunity to hear both the Belgrade Philharmonic and the San Francisco Symphony in concerts at Severance Hall.

The Belgrade Philharmonic will make a whirlwind, four-city tour of the eastern half of the United States in October, playing at Chicago’s Symphony Hall on Monday, October 6, at Severance Hall on Tuesday, October 7, at the Music Center at Strathmore in North Bethesda, Maryland on Wednesday, October 8, and in Stern Auditorium at Carnegie Hall in New York on Thursday, October 9. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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