Oberlin Cooper International Violin Competititon Archives - Page 2 of 2

Six advance to Recital Round in Oberlin Cooper Violin Competition

July 29, 2015 by Daniel Hathaway

Oberlin, July 29 — Following the concerto round of the Oberlin Cooper International Violin Competition, the jury announced early this morning the six performers who would advance to the recital round on Wednesday evening. Each will play a 30-minute recital in Warner Concert Hall at the Oberlin Conservatory of Music. Admission is free. The performances will be streamed (click here for the video link) and carried live over WCLV, 104.9 FM. At the end of the evening, the jury will name the three violinists who will play concertos in the final round with Jahja Ling and The Cleveland Orchestra on Friday evening at Severance Hall. [Read more…]

Ten advance in Oberlin Cooper Violin Competition

July 28, 2015 by Daniel Hathaway

Oberlin, July 27 — Following the semifinal rounds of the Oberlin Cooper International Violin Competition, the jury announced late tonight that ten performers would advance to the concerto round on Tuesday, July 28. Each will play a full concerto with piano accompaniment in Warner Concert Hall at the Oberlin Conservatory of Music. Admission is free, and the performances will be streamed (click here for the video link). At the end of the evening, six violinists will be advanced to Wednesday’s recital round. (Photo: 2013 Winners with Jahja Ling at Severance Hall.) [Read more…]

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Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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