Pavel Kolesnikov Archives - Cleveland Classical

Pavel Kolesnikov dazzles with J.S. Bach’s “Goldberg” Variations in Severance recital (Sept. 24)

September 28, 2024 by Daniel Hathaway

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — When Johann Sebastian Bach had his “Keyboard exercise, consisting of an ARIA with diverse variations for harpsichord with two manuals” published by Balthasar Schmid in Nuremberg in 1741, he noted in the preface that the work was “composed for connoisseurs, for the refreshment of their spirits.”

Whether or not the sizeable crowd in Reinberger Chamber Hall at Severance Music Center on Tuesday evening, September 24 regarded themselves as connoisseurs, the powerful ovation at the end of Pavel Kolesnikov’s 75-minute program suggested that their spirits had surely been refreshed — if not profoundly touched — both by the composer’s genius and the pianist’s captivating performance of the Variations. [Read more…]

Severance in Recital: Pavel Kolesnikov Plays J.S. Bach’s “Goldberg” Variations

September 22, 2024 by Mike Telin

by Mike Telin

“I think the Goldberg Variations are one of the greatest achievements of the human mind and human soul of all times. And it is one of the most astonishing architectural creations in music — it’s like a wonder of the world,” pianist Pavel Kolesnikov said during a recent telephone conversation. “And hearing it live is just a tremendous experience that you cannot explain in words.”

On Tuesday, September 24 at 7:30 pm in Reinberger Chamber Hall at Severance Music Center, the Siberian-born, London-based pianist will perform Johann Sebastian Bach’s Aria and Thirty Variations, aka “The Goldberg Variations,” in a recital sponsored by The Cleveland Orchestra. Tickets are available online.

I caught up with the pianist in England where he was serving on the jury of the Leeds International Piano Competition. I began our conversation by asking him what it was like to move from being a competitor to a juror.

[Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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