by David Kulma
The theme of ENCORE Chamber Music’s fourth season is “La Bohème: Art and Freedom,” mixing meanings of Bohemianism. It has brought together the 19th-century artistic movement that sought to break down conventions (think the characters from Puccini’s opera) with composers from Bohemia, of which Dvořák is the most famous. I attended three concerts where the overarching theme was successfully bent to include music from Mozart to living American composers.
by David Kulma
ENCORE Chamber Music’s final Sunday Unplugged concert of the summer on July 8 focused on composers of “diverse cultural backgrounds.” Its title, “Imagine No Country,” paraphrased a line from John Lennon’s peace anthem Imagine. The international music featured was by four composers: two living — American Richard Danielpour and Argentine Osvaldo Golijov, both of Jewish descent — and two deceased — Japanese Tōru Takemitsu and Romanian George Enescu. [Read more…]
by Robert Rollin
On Sunday afternoon, July 9, Encore Chamber Music opened its Mixon Hall program with an exceptional performance of Kevin Puts’ one-movement Dark Vigil for string quartet. Violinist Jinjoo Cho led the group with flair in its powerful dissonant counterpoint, relieved periodically by unisons. [Read more…]
by Tom Wachunas
At one early point on the blustery evening of November 19, the opening lines of the holiday classic Let It Snow crossed my mind a few times while driving: “Oh, the weather outside is frightful, but the fire is so delightful…” We did indeed have a place to go — Umstattd Hall — and a fire to gather ‘round, provided by the Canton Symphony Orchestra. [Read more…]
by Tom Wachunas
What is it about witnessing a live performance of orchestral music that makes it so uniquely …magical? While the advanced technology of digital recordings these days can certainly produce thoroughly engaging aural experiences, there’s still much to recommend the notion that seeing is believing. [Read more…]