The kora, a West African stringed instrument akin to a harp or guitar, doesn’t appear in most orchestral works. So Seckou Keita wrote his own.

Creating African Rhapsodies — which he released in 2023 with the BBC Concert Orchestra — was an “amazing” endeavor, he says. But his entry into the world of opera later that year was another thing entirely.

“When you have classical music meeting the kora, it’s amazing. But then when you have opera on top of that, it’s something else,” says the UK-based Senegalese musician. “That made me really excited.”

The opera he’s referring to is Omar’s Journey, a shortened version of Rhiannon Giddens’ Omar scored for voices and chamber ensemble. Keita was among the small group of musicians who performed Omar’s Journey at the Ojai Music Festival last year. “It kind of confirmed to me that voice is one of the really pure instruments in life. All those other instruments in the world have been made by humankind — but this, people are born with it,” Keita says.

Keita is no stranger to using his voice either, singing to accompany his playing in much of his solo material. And Oberlin audiences have a chance to experience his music making on December 7 at 7:30 pm, when he performs in Finney Chapel as part of the Artist Recital Series. [Read more…]