Shannon Lee Archives - Cleveland Classical

CIM hosts Music For Food at First Baptist February 18

February 3, 2020 by Daniel Hathaway

by Daniel Hathaway

One of the iterations of Music for Food, a musician-led initiative to fight hunger in local communities, is an annual concert to benefit the Greater Cleveland Food Bank. This year’s event will take place at First Baptist Church in Shaker Heights on Tuesday, February 18 at 8:00 pm. Sponsored by the Student Government Association of the Cleveland Institute of Music, the performance will bring CIM faculty and students together for music by Camille Saint-Saëns, Charles Gounod, and Felix Mendelssohn.

Faculty musicians include Jeanelle Brierley, Olga Dubossarskaya Kaler, and Jaime Laredo, violins, Sharon Robinson, cello, Mary Kay Fink, flute, Frank Rosenwein, oboe, Afendi Yusuf, clarinet, Barrick Stees, bassoon, and Richard King, horn. [Read more…]

Arts Renaissance Tremont turns twenty-nine this season

October 7, 2019 by Mike Telin

by Mike Telin

Since its founding in 1991, Arts Renaissance Tremont (ART) has been a cultural pillar in that West Side Cleveland neighborhood. And from the beginning, the organization has made its home at the historic Pilgrim Congregational UCC. Under the tireless direction of its founder and director Chris Haff-Paluck (left, with Jinjoo Cho), with assistance from a group of dedicated board members and volunteers, ART has remained true to its vision of keeping concerts free of charge.

On Sunday, October 13 at 3:00 pm, ART will kick off its 29th season with a recital by cellist Darrett Adkins and pianist Cicilia Yudha. Their program will feature works by Janáček, Kodály, Messiaen, and Chopin.

“Twenty-nine years — who knows where all the time has gone?” Haff-Paluck said during an interview, noting that the Tremont neighborhood was very different in the early ‘90s. “There are so many restaurants and galleries now, but it wasn’t that way back then. People wanted arts programs to be happening in the neighborhood.”

[Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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