by Nicholas Stevens
For a case study in the inadequacy of words to capture experiences, consider the gulf between describing the Nakatani Gong Orchestra and hearing, seeing, and feeling it live. A “large-ensemble nomadic sound art project,” according to founder, director, instrument-builder, and performer Tatsuya Nakatani, the NGO enlists local volunteers to play seventeen variously sized gongs. A description of the event might dwell on the bows and beaters that fourteen Ohioans recently used to play the gongs in concert. It might catalog the exact sounds the group created from one moment to the next. However, the proper language for this experience is that of enchantment. [Read more…]