Tony Siqi Yun Archives - Cleveland Classical

Oberlin Cooper Piano Competition culminates in concertos with The Cleveland Orchestra (July 20)

July 21, 2018 by Daniel Hathaway

by Daniel Hathaway

Because contestants’ repertoire is selected well before the finalists get chosen, it’s always a cliff-hanger to see not only who makes it to the final round in the Thomas and Evon Cooper Competition, but what pieces they’ll be playing. As it turned out this year in Oberlin’s biennial piano competition, three separate works were on the docket for Friday evening’s finals with Jahja Ling and The Cleveland Orchestra at Severance Hall on July 20 — both of the Chopin concertos and Tchaikovsky’s first. [Read more…]

Six play Cooper Piano Competition Recital Round at Oberlin (July 18)

July 20, 2018 by Daniel Hathaway

by Daniel Hathaway

Although they didn’t have to pass through trials by silence, water, and fire like Papageno, the six young pianists remaining in the draw on Wednesday evening, July 18 at the Thomas and Evon Cooper International Piano Competition reached the recital round by surviving earlier sessions that had trimmed the original 31 performers down to 16, then to 10. With no questions remaining about their technical aptitude, it was up to these six to prove their musical and interpretive mettle and their ability to communicate their ideas to the jury in 30-minute solo programs. All of the pianists were impressive, but some were standouts. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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