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Archives for October 2024

DIARY: Monday, October 7, 2024

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by Stephanie Manning

LOOKING FORWARD:

This week, BW Opera returns with Handel’s Radamisto, Severance Music Center welcomes the CIM Orchestra, Esa-Pekka Salonen leads The Cleveland Orchestra in his own Cello Concerto, Heights Chamber Orchestra opens their season, and more.

For more details, visit our Concert Listings.

ANNOUNCEMENTS:

The ensemble Silkroad and its artistic director Rhiannon Giddens have announced an upcoming album (pictured) and podcast as part of the group’s “American Railroad” Project. Learn more here.

The album, which drops November 15, includes new arrangements of songs by Haruka Fujii, Maeve Gilcrest, and Pura Fé, who audiences may remember from Silkroad’s Oberlin concert in April. Giddens, an Oberlin graduate, succeeded the artistic director position from Yo-Yo Ma, who happens to be celebrated below in today’s almanac.

INTERESTING READ:

“Yes, Listening to Music is Therapy,” Daniel J. Levitin writes for The Walrus. The article — adapted from his recent book — highlights the creative connections between scientific and musical fields, and how music’s ability to mentally transport us somewhere is actually healing. Read it here. [Read more…]

DIARY: Weekend, October 4-6, 2024

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by Daniel Hathaway

HAPPENING THIS WEEKEND: 

We list 21 events from Friday through Sunday, including multiple performances by several organizations. Visit our Concert Listings for details, and read previews on this page for

  • BlueWater Chamber Orchestra (Saturday at 7:30 at the Church of the Covenant, and Sunday at 4 at St. Noel Church)
  • Les Délices in “Moonlit Mozart” (Saturday at 7:30 at Disciples Church, and Sunday at 4 at West Shore Unitarian Universalist Church
  • Conrad Tao premiering Adam Roberts’ Book of Flowers (pictured) on the Kent Keyboard Series (Sunday at 5 in Ludwig Recital Hall)
  • Salar Nader and Homayoun Sakhi bring Afghan music to Oberlin (Sunday at 7:30 in Finney Chapel).

INTERESTING READ:

The October issue of Gramophone includes a feature about Swedish violinist Johan Dalene, who has released a new album paying tribute to virtuoso icons from the past. Dalene won first prize in the 2017 Thomas and Evon Cooper International Competition in Oberlin, after performing the Tchaikovsky concerto with Jahja Ling and The Cleveland Orchestra at Severance Hall. Click here to explore the issue.

WEEKEND ALMANAC: [Read more…]

Elim Chan sculpts endless varieties of glorious sound from Yefim Bronfman, Cleveland Orchestra (Sept. 27)

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by Daniel Hathaway

This article was originally published on Cleveland.com.

CLEVELAND, Ohio — In the symphonic world, a change of conductor often means a change of repertoire as well. When Elim Chan stepped in to lead four Cleveland Orchestra concerts this weekend featuring Yefim Bronfman in Sergei Rachmaninoff’s Piano Concerto No. 3 (1909), she swapped out Stravinsky’s Petrushka for another Rachmaninoff work, his Symphonic Dances (1940).

On paper, that looked like an overabundance of Rachmaninoff, but Chan and the Orchestra made the Russian super-melodist’s lavish scores sound freshly minted, transparent, and teeming with exquisite detail.

After hearing numerous performances of “Rach 3” by piano competition hopefuls, it was revelatory on Thursday evening, September 26, to experience the work interpreted by a mature artist who is fully in control of its musical content, and whose transitions can make sense of the composer’s mercurial changes of direction.

[Read more…]

Salar Nader and Homayoun Sakhi bring Afghan music to Oberlin

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by Mike Telin

“I can’t wait to be back — Cleveland is like a second home,” tabla virtuoso Salar Nader said during a telephone conversation. “I have so many fond memories of performing at the Cleveland Museum of Art and in The Kite Runner at Cleveland Playhouse back in 2010. And of course working so many times with Jamey Haddad at the Bop Stop, Nighttown, and Tri-C JazzFest. And I love Oberlin — to be there with Homayoun and working with the students is going to be a beautiful thing.”

On Sunday, October 6 at 7:30 pm in Finney Chapel, Salar Nader and rubâb player Homayoun Sakhi will present a program featuring music of their Afghan homeland, pushing artistic boundaries that reflect their country’s position at the confluence of Persian, Central Asian, and Indian cultures. The program also includes Oberlin Conservatory’s Performance and Improvisation (PI) Ensemble, directed by Jamey Haddad.

On Saturday, October 5 at 1:00 pm, Nader and Sakhi will present a public master class in Stull Recital Hall. Click here for more information. Both events are free.

Nader said that Haddad has been a longtime friend and mentor since meeting in the Pyrenees Mountains of Spain in 2007. “DJ Cheb i Sabbah brought us together, and it was like we were long-lost brothers by the time we played the show. Ever since then he has always been so welcoming. The thing that I learned from him and people like Stanley Clark, is that they all have a similar attitude when it comes to welcoming the different musics of the world.”

[Read more…]

Conrad Tao to premiere Adam Roberts’ Book of Flowers on Kent Keyboard Series

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by Daniel Hathaway

A new collection of solo piano miniatures by Kent State University composition professor Adam Roberts will be unveiled by its dedicatee, Conrad Tao, during his upcoming solo recital on the Kent Piano Series on Sunday afternoon, October 6, at 5:00 pm in Ludwig Recital Hall.

Book of Flowers is a collection of sixteen character pieces for piano. Roberts writes in his composer notes that “each piece aims to capture a particular energy, from the playful and rhythmic, to the fragile and breakable, to the brutal and ferocious.”

I arranged for a recent Zoom conversation with the composer and the pianist to learn more about the project. Adam Roberts was in his studio at Kent State, and Conrad Tao was on tour in Iowa.

Daniel Hathaway: How did Book of Flowers come about?

Adam Roberts: I don’t usually just write pieces randomly, but I had written a couple of miniatures and for a long time I had yearned to write a book of my own piano music to see if I could get my language into that form. [Read more…]

DIARY: Thursday, October 3, 2024

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by Daniel Hathaway

HAPPENING TODAY: 

Doug Droste conducts the Baldwin Wallace Symphony with violist Ashley Gordon, founder, Castle of our Skins (Gamble Auditorium, at 7), Les Délices presents Moonlit Mozart — wind band music including serenades and opera selections (First Methodist in Akron at 7:30), Canton Symphony musicians join rapper Marcus Smith for a hip-hop and R&B-influenced program at The Auricle, and a huge cast of performers including the Tulsa Ballet, Cleveland Ballet, Cleveland Pops, tap dancers, and vocalists will invoke the golden age of Hollywood (7:30 at Key Bank State Theater).

Visit our Concert Listings for details of upcoming performances.

NEWS BRIEFS:

WFMT reports that “Giancarlo Guerrero has been announced as the new artistic director and principal conductor of Chicago’s Grant Park Music Festival. [Read more…]

Music gives voice to the unspoken in Two Remain (Sept. 26)

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by Stephanie Manning

“For some melodies, there are no words.”

More than just an inner monologue, this lyric from Jake Heggie’s Two Remain is really the thesis of the entire opera.

Telling the stories of two Auschwitz survivors through music is no easy task. But Heggie’s work approaches the subject with sensitivity and lyricism — as did the cast and crew of the Nightingale Opera Theatre on September 28.

After performances in Australia this summer, the production came to Cleveland for a one-night-only performance at Congregation Mishkan Or in Beachwood. [Read more…]

Chanticleer opens CCMS season with an ode to nature (Sept. 24)

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by Kevin McLaughlin

Chanticleer’s widely-varied program “Music of a Silent World” opened the Cleveland Chamber Music Society’s 75th season on Tuesday, September 24 at The Cultural Arts Center at Disciples Church in Cleveland Heights.

Throughout the two-hour performance, Chanticleer brought a lovely and well-blended group sound, faultless intonation, and an extraordinary stylistic range — from German romantic to Sondheim. Tim Keeler is the group’s Music Director, and Chanticleer performs without a conductor. Their remarkable group sound is a tribute to the lovely mixture of predominantly lighter male voices — six countertenors, three tenors, and three baritones/basses.

This program centered around selections from Majel Connery’s song cycle The Rivers Are Our Brothers, whose declamatory lyrics readily identified the messengers (“I am the air,” “I am a cloud,” “I am a river”). [Read more…]

BlueWater Chamber Orchestra begins its 15th season: a conversation with Neil Mueller

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by Mike Telin

When Carlton Woods was set to retire from his post at Michigan’s Midland Symphony Orchestra in 2007, the longtime music educator and conductor, along with his wife Ladonna, set his sights on Cleveland.

Why Cleveland? “I wanted to come where I could hear the best orchestra in the country and one of the greatest in the world every week,” Woods told The Plain Dealer in a 2015 interview. Once here, Woods quickly recognized the wealth of professional musicians living in the area who were looking for more opportunities to perform. In a sense, Woods seized the moment, and in 2010 with the tagline “From Cleveland for Cleveland,” the BlueWater Chamber Orchestra was born.

On Saturday, October 4 at 7:30 pm at the Church of the Covenant, the BlueWater Chamber Orchestra will kick off its fifteenth anniversary with “Threads of Time, Struggle, and Hope.” [Read more…]

DIARY: Wednesday, October 2, 2024

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by Stephanie Manning

HAPPENING TODAY:

If you’re free around lunchtime today, you’re in luck, with two musical offerings at 12:00 noon.

At Trinity Cathedral’s Brownbag Concert Series, hear from the Cleveland Institute of Music Guitar Studio of Jason Vieaux. Or, venture slightly west to Ohio City and another Trinity — Trinity Lutheran Church — for Music Near the Market. Organist Florence Mustric (pictured) will perform “simply perfect” music by composers ranging from Pachelbel to Mendelssohn and Grigny to Demessieux.

For more details on these concerts and more, visit our Concert Listings.

TODAY’s ALMANAC:

by Jarrett Hoffman

Composer, keyboardist, and choral director R. Nathaniel Dett, a champion of the use of African American folk songs and spirituals in composing for the concert stage, died of a heart attack in Battle Creek, Michigan on this date in 1943. He was on tour with a Women’s Army Corps chorus of the United Service Organization, having joined the USO as a choral advisor to support American troops during World War II. [Read more…]

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