by Daniel Hathaway
Third-year Oberlin bassoon major Stephanie Manning is among 18 aspiring music writers to be named Fellows of the Fifth Biennial Stephen and Cynthia Rubin Institute for Music Criticism, which will convene at the San Francisco Conservatory from June 16-20.
Founded at the Oberlin Conservatory of Music in 2011 by book publishing executive Stephen Rubin, the Institute is designed to further the art and craft of critical writing about music. Keynote addresses are given by the nation’s top music critics and public concerts are reviewed by the fellows and critiqued by professional journalists in private workshops.
The Institute will culminate in the awarding of the $10,000 Rubin Prize in Music Criticism to the fellow who demonstrates exceptional promise in music criticism. [Read more…]




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Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.
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“At 50, The Takács Quartet Remains As Essential as Ever,” The New York Times
These days, the Danish String Quartet keep their touring schedule simple. Arrive in a new city in the morning, play a concert in the evening, and repeat. That’s not because the group doesn’t like exploring new places — it’s because they’ve got little ones waiting at home.
This isn’t the first time Les Délices has brought puppets to the party. Following up on their 2022 Baroque opera The White Cat, the ensemble will present The Aesop Project in Cleveland and Akron on November 22.