by Daniel Hathaway
The schedule is packed.
On Saturday, Les Délices presents Arcadian Dreams (2 pm at Hudson Library), Klaus Mäkelä leads The Cleveland Orchestra and choruses in the last of three performances of Gustav Mahler’s Symphony No. 3 (8 pm at Severance Music Center), No Exit New Music continues its new season with a triptych of concerts and a trio of world premieres (7 pm at SPACES), the Akron Symphony plays Charles Ives — pictured — and Gustav Holst (7:30 in E.J. Thomas Hall), Apollo’s Fire plays four of J.S. Bach’s Brandenburg Concertos (7:30 at St. Paul’s Episcopal Church, Cleveland Heights), the Cleveland Philharmonic plays Liszt with Halida Dinova; The Cleveland Opera presents Puccini’s L’amico Fritz (7:30 at First Baptist, Shaker Hts., and Wit’s Folly plays early Iberian music (7:30 at St. Noel Church, Willoughby Hills).
On Sunday, stand-alone events include Cleveland Composers Guild (organ works at 3 pm in Morley Hall, Painesville), and Lakeland Civic Chorus (4 pm at Lakeland Community College, Kirtland). Repeated programs include the Cleveland Philharmonic (3 pm at CSU), Wit’s Folly (4 pm at Bath Church), The Cleveland Opera (4 pm at First Baptist, Shaker Hts.), Apollo’s Fire (5 pm at First Methodist Church, Akron) and Les Délices (7:30 in Harkness Chapel, CWRU).
For details of these and other upcoming events, go to our Concert Listings.
INTERESTING READS:
Writing for VAN Magazine, Hannah Edgar updates the situation at the Cleveland Institute of Music since the faculty voted to unionize, and reports on the effect the turmoil of the last year has had on student enrollment. Read her reporting here. (Note: the article is behind a paywall, but inexpensive subscriptions to the Berlin-based magazine are available).
Jeremy Denk on Charles Ives. In an essay this weekend in The New York Times, the pianist considers the thorny composer’s legacy on the 150th anniversary of his birth. Read At 150, Charles Ives Still Reflects the Darkness and Hope of America here. [Read more…]










