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Apollo’s Fire begins new season: a conversation with Jeannette Sorrell

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by Mike Telin

Apollo’s Fire is moving full steam ahead into their 2023-24 season, which opens this week with four Northeast Ohio performances of their program “Splendour in London.” The concerts also mark the beginning of a busy fall for the musicians and for the ensemble’s founder and artistic director, Jeannette Sorrell. In fact, with all the forward motion that Apollo’s Fire has experienced over the past couple of years, Sorrell can certainly be described as a person on the go.

I caught up with her via Zoom in Chicago while she was literally in transit and began our wide-ranging conversation by asking her to reflect on Apollo’s Fire’s recent European tour.

Jeannette Sorrell: It was a wonderful experience. That was our Exile program, which we first took to Chicago, New York City, and San Francisco. The New York concert was especially fun — it was at the Met Museum and we were sold out two weeks in advance. When you have an audience that really wants to be there, there’s always a special energy.

[Read more…]

Surreality: No Exit explores the irrational, illogical, and inexplicable

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by Mike Telin

What does someone mean when they say, “Now that was surreal.” Well, that depends. “One of the things about surrealism is that it’s really an ideology,” No Exit artistic director Timothy Beyer said during an interview. “It’s not a style that is attached to a methodology, therefore you can apply it to almost anything.

To celebrate their 15th anniversary No Exit has created their most ambitious project to date. Enter Surreality, a season-long series that encompasses a range of artistic media to present an immersive, multidisciplinary exploration of surrealism as expressed in music, art, film, poetry, literature and performance art. “We hope people will enjoy exploring the irrational, illogical, inexplicable, strange, and utterly fantastical world that is surrealism.”

If you think this may be too academic, not to worry, “It’s an experiential thing,” Beyer said. “Whether you know a lot or nothing, you should be able to enjoy it. We even say in our program note: ‘this will tell you everything or nothing that you need to know to comprehend the following events.’ Surrealism does cover the gamut of the arts and more, and I think that has been a big part of its lasting relevance.” [Read more…]

Canton Symphony enters a new era:
a conversation with music director designate Matthew Jenkins Jaroszewicz

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by Mike Telin

When Matthew Jenkins Jaroszewicz was appointed Music Director Designate of the Canton Symphony in August of 2020, the plan was for him to assume the role of Music Director in 2026. But with the passing in June of Gerhardt Zimmermann, the Orchestra’s longtime Music Director, Jaroszewicz suddenly found himself tasked with filling some big shoes sooner than expected.

On Saturday, October 7 at 7:30 pm, the young conductor will lead the Orchestra’s season-opening concert at Zimmermann Symphony Center. The program, titled “Ode to Freedom,” includes Joan Tower’s Made in America, Dmitri Shostakovich’s Symphony No. 5, and two works that will feature Seohyun Kim, winner of the 2022 Thomas and Evon Cooper International Violin Competition: Maurice Ravel’s Tzigane and Jeff Scott’s Song of the Uirapuru, receiving its world premiere. Tickets are available online.

I caught up with Jaroszewicz by phone and began by asking him how he is managing during this period of transition.

Matthew Jenkins Jaroszewicz: It’s been difficult for a lot of reasons. Obviously, in six years serving as Gerhardt’s assistant and then associate, I built a professional and personal relationship with him, and with his wife Sharon as well. The plan was for me to take over as Music Director in 2026, and after that Gerhardt would still be around as the Music Director Emeritus for five more years. So to not only be thrust into the role three years early, but to not have Gerhardt there as someone I could lean on as a mentor was a shock.

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Cleveland Museum of Art’s Performing Arts Series returns

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by Mike Telin

The Cleveland Museum of Art’s Performing Arts Series is back with a new director and a full schedule of diverse shows. To get a sense of it all, I spoke with Gabe Pollack, who came to that post at the Museum after many years of serving as manager of the Bop Stop. Here’s what he told me.

I started the job in October 2022 and I inherited three programs. A couple were rescheduled concerts that had been canceled during COVID. And since booking those shows was taken off my plate, that allowed me to just learn the processes involved with producing a show at the Museum.

This 2023-24 season is truly my first Performing Arts Series. The “Summer Solstice” and “City Stages” are signature programs of the Museum. But they operate separately from the Performing Arts Series in Gartner. So when I was hired, my main task was to program those events.

I had a lot of fun booking “Solstice.” I think it takes a mix of skill and luck, especially when dealing with international artists because they have to be in the U.S. and have permits that allow them to perform here. And they have to be in the region around the time of “Solstice.” But I thought the artists complemented each other very well.

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Rocky River Chamber Music Society to present new work by Richard Stout

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 by Mike Telin

When you’re looking for a source of inspiration, sometimes you find it sitting right in front of you. Such was the case with Richard Stout. “I wanted to write some songs for mezzo-soprano and string quartet and I was looking for material,” Stout said during a phone conversation. “I looked at this book — Selected Letters of Willa Cather — that I had sitting at home that my mother had co-edited, and thought, ‘There’s some beautiful material in here.’”

On Monday, September 25 at 7:30 pm at West Shore Unitarian Universalist Church, the Poiesis Quartet — Sarah Ma and Max Ball (violins), Jasper de Boor (viola), and Drew Dansby (cello) — will join mezzo-soprano Nancy Maultsby to perform Stout’s Songs of Correspondence during the opening concert of Rocky River Chamber Music Society’s 2023-24 season. The program will also include Brahms’ String Quartet No.1 in c. The concert is free and will be livestreamed.

Stout, who is a member of The Cleveland Orchestra’s trombone section and a faculty member at Baldwin Wallace Conservatory, said that after he wrote the first few songs he realized that he should ask for permission to use the letters. [Read more…]

Les Délices celebrates fifteen years

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by Mike Telin

Anniversaries are an opportunity to reflect and to forge new adventures. When Debra Nagy set out to plan Les Délices’ 15th season, she wanted it to be “familiar and extremely ambitious.”

Les Délices will launch their season next week by taking the award-winning SalonEra series to another level. On Saturday, September 23 at 3:00 pm at Heights Theater, audiences are invited to attend the debut of SalonEra Sessions with a program titled Songs for Social Justice. The 75-minute concert and conversation, hosted by Nagy, will feature countertenor Michael Walker and tenor Haitham Haidar, who will explore themes of identity and representation, struggle and resilience, and community and belonging. The event will be recorded, edited, and released as a SalonEra episode later in the season. During the program Walker and Haidar will be joined by Nagy (oboe), Rebecca Reed (cello), and Brian Kay (lute and oud).

[Read more…]

Second annual Silent Film Festival to run September 6-9

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by Mike Telin

When you create something successful, people want more. Such is the case with the Cleveland Silent Film Festival & Colloquium, which made its debut in January of 2022. “People kept asking me when I was going to do it again,” Festival founder Emily Laurance said over coffee.

The second edition of the Festival, which runs September 6-9, will include screenings of five films, each with live accompanying music, at three locations around Cleveland.

Laurance, a visiting associate professor of musicology at Oberlin Conservatory, noted that Colorado-based Mont Alto Motion Picture Orchestra will be returning, and the partnership with the Cinematheque at the Cleveland Institute of Art continues as well.

“This year we’re bringing in noted theater organist Clark Wilson, and the Western Reserve Theater Organ Society and Radio on the Lake Theater are new partnerships.” New venues include Masonic Auditorium and Cleveland Museum of Art. Click here for tickets and more information.

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Music from the Western Reserve opens season with the Dave Banks Big Band

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 by Mike Telin

“There’s nothing like the sound of a big band,” trumpeter and band leader Dave Banks said during a recent conversation. “And to have a band that’s got that powerhouse kind of sound makes a real impact on the audience.”

On Sunday, September 10 at 5:00 pm at  Christ Episcopal Church in Hudson, Music from the Western Reserve will open their season with the Dave Banks Big Band featuring vocalist Sandra Montevideo. A pre-concert chat begins at 4:30. Tickets available online.

I caught up with the Cuyahoga Falls native by Zoom, and began by asking what the audience will hear during “Big Band on Broadway!”

Dave Banks: It’s big band music, but everything has a Broadway connection — songs that have either been in a show on Broadway or are about Broadway. Some of them got their start in the movies but ended up on Broadway, so it’s an interesting concept. [Read more…]

Simone Lamsma brings Saint-Saëns violin concerto to Blossom Music Center

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by Mike Telin

Time is running out to catch The Cleveland Orchestra at Blossom Music Center this summer. On Saturday, August 26 at 7:00 pm, guest conductor Fabien Gabel will lead The Orchestra in a program titled “Impressions of France and Spain.” The program will include Ravel’s Alborada del gracioso and Suite No. 2 from Daphnis and Chloé, and De Falla’s Suite No. 2 from The Three-Cornered Hat.

This is the final Classical concert at Blossom in 2023. Bring young people along and take advantage of the Under 18s for free on the lawn program. Click here for more information. Tickets are available online.

The concert will feature Saint-Saëns’ Violin Concerto No. 3, with Simone Lamsma as soloist. Lamsma made her Cleveland Orchestra debut at Severance Music Center in May of 2014 and her Blossom debut in August of 2015. “I’m so happy to be coming back. The Cleveland Orchestra is so refined — there’s an exquisite nobility in the way that they play,” the Dutch violinist said during a telephone conversation from the Netherlands.

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After the Cooper Competition: thoughts from Pyotr Akulov (age 16)

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by Mike Telin

History was made on August 4, when for the first time in the history of the Cooper Competition for Piano, the top prize was awarded to two participants. Pyotr Akulov and Sophia Shuya Liu were named co-champions following their concerto performances with David Robertson and The Cleveland Orchestra that Friday evening.

I reached Pyotr Akulov by Zoom outside of Düsseldorf, Germany.

Mike Telin: Good afternoon and thank you for taking the time to talk.

Pyotr Akulov: Thank you for your invitation.

MT: You’re in Germany right now — are you performing?

PA: No, I am just recovering from the competition, resting, and preparing to fly home to Moscow.MT: I’m glad you’re resting. You deserve it, which brings me to say congratulations, you played wonderfully.

PA: Thank you very much for your kind words.

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