by Stephanie Manning
Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.
The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.
Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read more…]
The Meridian Arts Ensemble specialize in the avant garde, but they’re dextrous enough to flip between all kinds of genres. So, what was Joseph Haydn’s Feldpartie — written in 1780 — doing on the program next to George Lewis’ uber-contemporary Tightrope? Quite a lot, as it turns out.
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“This moment is full of wonders.” Composer Anna Clyne meditated on those words — written by Buddhist monk and peace activist Thich Nhat Hanh — as she wrote her orchestral work This Moment. That theme, of learning to cherish life more by reflecting on death, underscored most of the music chosen for the Cleveland Repertory Orchestra’s program on November 2.
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Handel: Israel in Egypt, which Brenner produced, is also up for Best Choral Performance. The nomination covers Apollo’s Fire, conductor Jeannette Sorrell, soloists Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry, & Edward Vogel, and Apollo’s Singers.
The theme of the Cleveland Classical Guitar Society’s latest concert season emphasizes the new and different — with plenty of debuts, contemporary works, and creative ways of looking at music. That was the case on October 26 for Jorge Caballero’s program. All three pieces he brought to the Maltz Performing Arts Center were rare to hear, each for different reasons.
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