by Jarrett Hoffman
The Cleveland Orchestra has announced details of its Centennial Season tour schedule, marking the ensemble’s 17th and 18th international tours to be led by Music Director Franz Welser-Möst. Twenty concerts spanning seven weeks will include an October trip to Europe, two concerts at Carnegie Hall in January, and season-capping appearances in Vienna and Tokyo during May and June. Complete details of the tour can be found below.
“Touring is important for The Cleveland Orchestra,” said Welser-Möst in a press release. “It requires an enormous amount of flexibility to find ‘our sound’ playing in different acoustics. We refine this sound every day in our home, Severance Hall, and bring this to audiences outside of Cleveland.”
The music director praised the strong will that exists in the community. “With the history of Cleveland, ups and downs economically, there has been an enormous determination in this community to maintain and enhance a world-class orchestra. Going around and showing that to the world is gratifying. [Read more…]
On Saturday, May 30 at 4:00 pm in Mixon Hall at the Cleveland Institute of Music, Paul Galbraith (Scotland) will present a recital as part of the Cleveland International Classical Guitar Festival. Galbraith’s program will feature Bach’s “Allemande” from the Lute Suite in E minor, BWV 996 and Cello Suite No. 5, BWV 1011 and No. 1, BWV 1007. The program also includes Mozart’s “Allemande” from the unfinished Suite in C, K. 399 and the Piano Sonata in F, K. 570.
As fascism and other forms of dictatorship engulfed Europe in the 1930s and ’40s, the United States began to fear that the whole world would be consumed by such regimes. To prevent totalitarianism’s spread to Latin America, the federal government enacted a “Good Neighbor” policy, in which the U.S. encouraged solidarity between the Americas.
When Gilbert & Sullivan’s Pirates of Penzance premiered in New York on December 31, 1879, the two-act comic opera was immediately popular with audiences and critics alike. Today Pirates remains one of Gilbert & Sullivan’s most-performed operas. This weekend, 
The laureates of most international piano competitions vanish into the ether once the medals are bestowed and prizes awarded. Not so with the Cleveland International Piano Competition, whose leadership has sought new ways to keep its prizewinners in the local public eye and ear.