CIPC Announces Junior Finalists

June 6, 2018 by Daniel Hathaway

Following the junior semifinal rounds at the Cleveland Institute of Music on Tuesday, June 5, the Cleveland International Piano Competition for Young Artists announced the three pianists who will advance to the final round with the Canton Symphony on Friday evening. They are, from left to right, Eva Gevorgyan, 13 (Russia), Yunchan Lim, 13 (South Korea), and Hao Wei Lin, 13 (Taiwan). The senior semifinal rounds will be held in Mixon Hall on Wednesday, June 6 at 1:00 and 7:00 pm, with the finalists to be named after the evening session. More information and live stream here.

About Daniel Hathaway

Daniel Hathaway founded ClevelandClassical.com in September, 2008, after a thirty-one year tenure as music director of Cleveland’s Trinity Cathedral, where he founded the Wednesday Noon Brownbag Concert Series and Trinity Chamber Orchestra. A graduate of Harvard College and the Episcopal Divinity School, he also studied historical musicology at Princeton and Harvard Universities. Before coming to Cleveland in 1977, he served as head of humanities at the Sunset Hill School in Kansas City and as head of arts at Groton School in Massachusetts. In Cleveland, he has served on the music staff of Cleveland Opera, Great Lakes Theater Festival, and the faculty of Laurel School. As an organist, Hathaway has played recitals in the U.S., England, France, Germany, and Austria. He team-teaches Music Journalism at Oberlin College and Conservatory and is a member of the Music Critics Association of North America.

Apollo’s Fire opens Bach-focused season with Brandenburgs (Oct. 18)

by Peter Feher

If it weren’t for J.S. Bach’s Brandenburg Concertos, there might not be period-instrument ensembles like Apollo’s Fire. Cleveland’s Baroque orchestra, now in its 33rd season, opened its concert year with a solid program built around these staple pieces.

A lively performance of four of the concertos at St. Paul’s Episcopal Church in Cleveland Heights on Friday, October 18 was the first of half a dozen outings for Apollo’s Fire this month (with slight changes in repertoire and personnel along the way).

Bach’s music, in all its consolations and complexities, could easily fill an ensemble’s entire schedule. In fact, that’s sort of what Apollo’s Fire has planned for 2024–25, with artistic director Jeannette Sorrell conceiving of the composer as a “guide star” for the season. The yearlong focus on Bach is set to conclude this spring in a “Bachanalia,” a full month of concerts and workshops around Northeast Ohio. [Read on…]

Les Délices conjures Arcadia in high quality (Oct. 20)

by Stephanie Manning

Arcadia: that mythological Eden, that utopian natural paradise. The members of Italy’s Arcadian Academy, established in the late 17th century, aimed to replicate that pastoral life via the arts. And on October 20, Les Délices sought to do the same, by performing the music of composers from the Academy and beyond.

“Arcadian Dreams,” a program featuring soprano Hannah De Priest, gave the Harkness Chapel audience a taste of the early music group’s next recording. In fact, the musicians were gearing up to get in the studio the very next day — and they delivered a suitably high-quality performance in the process. [Read on…]

New works for organ take center stage at Lake Erie College (Oct. 20)

by Kevin McLaughlin

On a sun-drenched fall afternoon, Sunday, October 20, a lucky few got to hear five new organ pieces masterfully brought to life by five remarkable organists at Lake Erie College. If the music wasn’t conceived for this particular organ — the Skinner opus 647 — it surely benefited from it, not to mention from the architecturally splendid setting of Helen Rockwell Morley Hall.

“New Music for Organ,” a co-presentation of the Cleveland Composers Guild and the American Guild of Organists, Cleveland Chapter, showcased works by Stephen Stanziano, James Wilding, Larry Baker, Matthew Saunders, and Lorenzo Salvagni. [Read on…]

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