by Mike Telin

“This is our first time at Wolfs Gallery and they’re pulling out all the stops. Hors d’oeuvres will be served at 6:30 pm and there will also be valet parking,” Beyer said. “It will be nice to introduce people to Wolfs’ extraordinary space and exquisite collection of paintings and sculpture while enjoying an intimate evening of music. We love playing at Heights Arts and SPACES, so this is going to be an incredible series of concerts. As always, the performances are free and open to the public.”
Beyer said that their collaboration has become ever more meaningful since No Exit and Zeitgeist began working together three years ago. “We’ve been to St. Paul three times — the last was back in October of 2017 — and this is the second joint concert in Cleveland. Over time concerts have included not just improvisation, but new pieces by composers from St. Paul and Cleveland that were written for both ensembles.”
Due to space considerations, Friday’s performance at Wolfs Gallery will feature music for smaller ensembles. The concert will include the world premiere of Tzimtzum by Twin Cities composer, author, and percussionist Joshua Musikantow. The work’s title is Hebrew for “contraction,” a concept in the Lurianic Kabbalah that states that in order for God to create a space for lesser spiritual and physical planes to exist, God must contract, or conceal his/herself.

Saturday’s and Sunday’s program will feature works for larger ensembles, including the world premiere of No Exit for Zeitgeist, by No Exit pianist and composer Nicholas Underhill, as well as the Cleveland premiere of Eric Gonzalez’s Found Again, Secure in Migration. “Eric lived and worked in Cleveland for a long time but has recently moved to St. Paul. He wrote the piece for our collaboration.”
A work suggested by Zeitgeist is Spiral XIV “Nimitta” by Chinary Ung, a Cambodian-American composer who teaches at the University of California San Diego. “His music is wonderful and immersive — something you experience rather than merely listen to. He uses a lot of traditional music that includes the Khmer Pinpeat and Balinese Gamelan.” The program will be rounded out by Michigan-based composer Bill Ryan’s Blurred and Joshua Musikantow’s Tzimtzum.
Published on ClevelandClassical.com January 9, 2018.
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