Alina Ibragimova Archives - Cleveland Classical

Cleveland Orchestra with Juanjo Mena & violinist Alina Ibragimova (February 12)

February 17, 2015 by Daniel Hathaway

by Daniel Hathaway

The music of Jan Sibelius is a conundrum for many conductors and soloists. Make it sound too German or too Russian and its special qualities go missing in action. Spanish guest conductor Juanjo Mena was on the right track with Sibelius’s seventh symphony on Thursday evening at Severance Hall, while guest violinist Alina Ibragimova made something entirely her own of Sibelius’s violin concerto. [Read more…]

Cleveland Orchestra: Twenty minutes with Juanjo Mena

February 10, 2015 by Jarrett Hoffman

by Mike Telin

“This is a fantastic season for me in North America,” the engagingly soft-spoken Spanish conductor Juanjo Mena said during a telephone conversion. “The Cleveland Orchestra is one of the amazing orchestras in the world. It’s like a little dream, and it will be a pleasure for me to be there.”

On Thursday, February 12 at 7:30 pm and Saturday, February 14 at 8:00 pm, Juanjo Mena will make his Cleveland Orchestra debut with a program featuring works by Jean Sibelius and Arnold Schoenberg. Mena, who is Chief Conductor of the BBC Philharmonic in Manchester, UK, has been rapidly gaining attention in North America. This season he is making return visits to the orchestras of Los Angeles, Boston, Philadelphia and Pittsburgh, as well as debuts with the New York Philharmonic and the Montreal Symphony in addition to Cleveland. [Read more…]

Christmas with Cantus at Tuesday Musical (Nov. 30)

by Peter Feher

Tuesday Musical gave Akron audiences a generous Christmas gift this year. The presenter tied three holiday classics together in one sumptuous concert on Sunday afternoon, November 30, at E.J. Thomas Hall. First up was the story of The Velveteen Rabbit, followed by a quick waltz through The Nutcracker and a ride on The Polar Express.

Delightfully, this trio of tales was recounted with drama and poise — not by any actors or dancers but by the eight members of the all-male a cappella ensemble Cantus. The group, based in Minnesota and now in its fourth decade, is once again touring the country with a polished, compact production of carols, pop tunes, and of course Tchaikovsky.

[Read on…]

Oberlin Music Theater soars in The Great Comet of 1812 (Dec. 3)

by Peter Feher

The stars aligned for Oberlin Music Theater’s production of Natasha, Pierre & The Great Comet of 1812, suggesting a bright future for the college’s newest area of study.

Oberlin Conservatory has cultivated young talent for more than 150 years, but musical theater only entered the curriculum this semester. The program’s first students arrived in the fall under director and professor Victoria Bussert, who brought with her several colleagues from Baldwin Wallace University — including a few who collaborated on her 2023 staging of Great Comet for Cleveland’s Great Lakes Theater company.

Even for the experienced, this show is a massive undertaking, with a story adapted from Leo Tolstoy’s War and Peace and a score demanding stamina and stylistic range. But nothing daunted the student actors on opening night, December 3. Not the immersive direction by Bussert, nor the energy-intensive choreography by Alex Sanchez. (Two casts alternated in eight performances through December 10.)

[Read on…]

Cleveland Orchestra channels all things merry, bright in Holiday Concert at Severance (Dec. 13)

by Kevin McLaughlin

Photo by Roger Mastroianni

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Holiday concerts trade on familiarity, but the best of them feel less like ritual and more like reunion.

On Saturday evening, Dec. 13 at Mandel Concert Hall, The Cleveland Orchestra welcomed a full house for the second of its twelve annual Holiday Concerts, a tradition that dates back to 1919.

Led by guest conductor Sarah Hicks, with soprano Meredith Wohlgemuth and the Cleveland Orchestra Chorus, and members of the Blossom Festival Chorus under the direction of Lisa Wong, the evening unfolded with easy charm.

Throughout the performance, Hicks proved an ideal guide. Her conducting was clear and unshowy, her rapport with the audience unaffected and delightful.

[Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us