Alina Ibragimova Archives - Cleveland Classical

Cleveland Orchestra with Juanjo Mena & violinist Alina Ibragimova (February 12)

February 17, 2015 by Daniel Hathaway

by Daniel Hathaway

The music of Jan Sibelius is a conundrum for many conductors and soloists. Make it sound too German or too Russian and its special qualities go missing in action. Spanish guest conductor Juanjo Mena was on the right track with Sibelius’s seventh symphony on Thursday evening at Severance Hall, while guest violinist Alina Ibragimova made something entirely her own of Sibelius’s violin concerto. [Read more…]

Cleveland Orchestra: Twenty minutes with Juanjo Mena

February 10, 2015 by Jarrett Hoffman

by Mike Telin

“This is a fantastic season for me in North America,” the engagingly soft-spoken Spanish conductor Juanjo Mena said during a telephone conversion. “The Cleveland Orchestra is one of the amazing orchestras in the world. It’s like a little dream, and it will be a pleasure for me to be there.”

On Thursday, February 12 at 7:30 pm and Saturday, February 14 at 8:00 pm, Juanjo Mena will make his Cleveland Orchestra debut with a program featuring works by Jean Sibelius and Arnold Schoenberg. Mena, who is Chief Conductor of the BBC Philharmonic in Manchester, UK, has been rapidly gaining attention in North America. This season he is making return visits to the orchestras of Los Angeles, Boston, Philadelphia and Pittsburgh, as well as debuts with the New York Philharmonic and the Montreal Symphony in addition to Cleveland. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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