Ani Kavafian Archives - Cleveland Classical

Cleveland Chamber Music Society: Piano Quartets from Lincoln Center (Jan. 17)

January 24, 2017 by Daniel Hathaway

by Daniel Hathaway

The Chamber Music Society of Lincoln Center launched a seven-city tour of Piano Quartets with its January 17 concert at Plymouth Church for the Cleveland Chamber Music Society. Large-scale, early works by Gabriel Fauré and Johannes Brahms received masterful performances from pianist Alessio Bax, violinist Ani Kavafian, violist Yura Lee, and cellist Paul Watkins. [Read more…]

Chamber Music Society of Lincoln Center: string sextets on CCMS series at Plymouth (April 19)

May 3, 2016 by Daniel Hathaway

by Daniel Hathaway

Chamber music societies are big on presenting string quartets — they’re portable, capable of a wide range of musical expression, and they control most of the repertory. But every now and again, programming differently-sized ensembles provides a welcome change. The Chamber Music Society of Lincoln Center gave the Cleveland Chamber Music Society that opportunity on Tuesday, April 19, when it served up a program of string sextets by Richard Strauss, Antonín Dvořák, and Johannes Brahms to a large audience at Plymouth Church in Shaker Heights. [Read more…]

Cleveland Chamber Music Society to present Chamber Music Society of Lincoln Center sextet

April 17, 2016 by Daniel Hathaway

by Mike Telin

“It doesn’t get much better than this,” cellist Nicholas Canellakis said during a recent telephone interview. “There’s something about the sonority that you can get from a string sextet that is so satisfying. Obviously the composers who wrote for that combination felt the same way, because they seem to luxuriate in every possible sound.”

On Tuesday, April 19 at 7:30 pm, Canellakis will join violinists Ani Kavafian and Erin Keef, violists Yura Lee and Matthew Lipman, and fellow cellist David Finckel, in a program of string sextets by Richard Strauss, Antonín Dvořák, and Johannes Brahms on the next Cleveland Chamber Music Society concert at Plymouth Church in Shaker Heights. [Read more…]

Apollo’s Fire: “Hope and Solitude” featuring countertenor Reginald Mobley (Nov. 17)

by Daniel Hathaway

Apollo’s Fire concertmaster and assistant artistic director Alan Choo curated an thoughtful, unusual, and thoroughly engaging program at Rocky River Presbyterian Church on Sunday afternoon, November 17.

Featuring the formidable vocal gifts of countertenor Reginald Mobley, the program managed to gather under a single banner an orchestral suite and other selections by Henry Purcell, lute music by John Dowland, a suite by John Eccles, and an aria from J.S. Bach’s “Hunting” cantata as well as his solo cantata Ich habe genug. The well-attended concert ended with Spirituals that fit remarkably well into a menu of music played on period instruments.

In his director’s notes, Alan Choo wrote that this program “epitomizes the universality of music and its ability to uplift, heal, and revitalize the human spirit,” quoting the text of 17th-century Anglo-Welsh royalist poet Katherine Phillips’ O Solitude as set by Henry Purcell. [Read on…]

Conductor Santtu-Mathias Rouvali wears his heart on his sleeve in Cleveland Orchestra debut

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Change of plans recently led to unexpected opportunities at The Cleveland Orchestra. And so, this week, guest conductor Santtu-Mathias Rouvali seized the moment. With the Mahler “Das Lied von der Erde” program moved to next season, a rare blank slate appeared. Rouvali stepped in on short notice to make his Cleveland debut presenting an impassioned program.

The three pieces performed on Thursday, Nov. 21 — which will be heard again on Nov. 22 and 23 — share a distinctive expressivity, and each represented an introduction of their own.

Carl Nielsen’s Overture to “Maskarade“ set the scene for the Danish composer’s opera, a well-known work in his home county but rarely played elsewhere. Its five minutes include a whirling ballroom waltz, which Rouvali accentuated by coaxing the brass to cut through the texture. The conductor quickly revealed his taste for flourishes, his motions imbued with a fluttery, cursive affect.

Cleveland Orchestra Youth Orchestra impresses with Boulanger, Copland, and Rachmaninoff

By Daniel Hathaway | Cleveland Classical

This article was originally posted on Cleveland.com

CLEVELAND, Ohio — Anyone who believes that tired old canard that classical music is dead or dying needed to hear conductor Daniel Reith and the Cleveland Orchestra Youth Orchestra play music by Lily Boulanger, Aaron Copland, and Sergei Rachmaninoff in their Autumn Concert at Severance Music Center on Sunday afternoon, November 24.

That challenging program tested COYO’s musicianship. Not only does it run deep, but it’s so sophisticated that the young players can make Boulanger sound French, Copland American, and Rachmaninoff Russian.

Boulanger’s D’un Matin de Printemps was light and airy, conjuring up in its five minutes a Gallic Spring morning with lovely solos by concertmaster Aika Birch and individual winds. Surges suggested the burgeoning surprises nature still had in store.

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