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Apollo’s Fire: “Classical Sparks” at St. Raphael, Bay Village (Feb. 28)

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by Kevin McLaughlin

Three composers whose lives intertwined and whose music inspired one another — Wolfgang Amadé Mozart, Joseph Bologne, and Joseph Haydn — were the subject of Apollo’s Fire’s latest series of concerts, “Classical Sparks.” I attended the performance on Friday, February 28 at St. Raphael Catholic Church in Bay Village, for which artistic director Jeannette Sorrell had assembled a full classical orchestra of period instruments.

Mozart was represented with a delightful overture from his three-act opera La Finta semplice (“The Fake Innocent”), plus an aria from Don Giovanni, and the supreme Violin Concerto no. 3 in G, K.216. [Read more…]

Tenor Jonathan Pierce Rhodes makes Cleveland-area debut with Apollo’s Fire

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by Stephanie Manning

Jonathan Pierce Rhodes is a musician with many interests — so many, in fact, that he almost didn’t pursue a career in music at all.

“I was really close to being a lawyer,” the tenor explained in a recent interview. As an undergraduate, he earned degrees in both music and political science. “Then the pandemic hit, and I got into grad school for music.  So I was like, ‘Well, that door is opening, so let’s just keep going in that direction.’”

That direction is steadily heading upward, thanks in part to his work with the Washington National Opera’s Cafritz Young Artists, multiple summers at the Glimmerglass Festival, and now an appearance with Apollo’s Fire.

Later this month, Rhodes will make his debut with the early music ensemble in “Classical Sparks,” singing arias by Mozart and Joseph Bologne. Rounding out the program is Haydn’s Symphony No. 8, “Le Soir,” Mozart’s Overture to La Finta semplice, and Mozart’s Violin Concerto No. 3 with soloist Alan Choo. The four performances will tour the area with appearances in Akron (February 27 at 7:30 pm), Bay Village (February 28 at 7:30 pm), Shaker Heights (March 1 at 7:30 pm), and the Cleveland Museum of Art (March 2 at 3:00 pm). [Read more…]

Apollo’s Fire: cheerful collaboration and “Virtuoso Brilliance” (Feb. 9)

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by Stephanie Manning

On Super Bowl Sunday — a day that brings out plenty of competitive spirit — spending the afternoon with Apollo’s Fire felt like the perfect balance. In the few hours before “The Big Game” on February 9, those of us listening to the music in St. Paul’s Episcopal Church in Cleveland Heights were all rooting for the same team.

The Baroque chamber orchestra performs in a way that values collaboration over competition, especially in a conductorless outing like this one. “Virtuoso Brilliance,” a program heard in Akron, Rocky River, and Cleveland Heights, united both musicians and audience in concertos by Antonio Vivaldi and Georg Philipp Telemann. [Read more…]

Apollo’s Fire: “Hope and Solitude” featuring countertenor Reginald Mobley (Nov. 17)

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by Daniel Hathaway

Apollo’s Fire concertmaster and assistant artistic director Alan Choo curated an thoughtful, unusual, and thoroughly engaging program at Rocky River Presbyterian Church on Sunday afternoon, November 17.

Featuring the formidable vocal gifts of countertenor Reginald Mobley, the program managed to gather under a single banner an orchestral suite and other selections by Henry Purcell, lute music by John Dowland, a suite by John Eccles, and an aria from J.S. Bach’s “Hunting” cantata as well as his solo cantata Ich habe genug. The well-attended concert ended with Spirituals that fit remarkably well into a menu of music played on period instruments.

In his director’s notes, Alan Choo wrote that this program “epitomizes the universality of music and its ability to uplift, heal, and revitalize the human spirit,” quoting the text of 17th-century Anglo-Welsh royalist poet Katherine Phillips’ O Solitude as set by Henry Purcell. [Read more…]

Apollo’s Fire opens Bach-focused season with Brandenburgs (Oct. 18) 

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by Peter Feher

If it weren’t for J.S. Bach’s Brandenburg Concertos, there might not be period-instrument ensembles like Apollo’s Fire. Cleveland’s Baroque orchestra, now in its 33rd season, opened its concert year with a solid program built around these staple pieces.

A lively performance of four of the concertos at St. Paul’s Episcopal Church in Cleveland Heights on Friday, October 18 was the first of half a dozen outings for Apollo’s Fire this month (with slight changes in repertoire and personnel along the way).

Bach’s music, in all its consolations and complexities, could easily fill an ensemble’s entire schedule. In fact, that’s sort of what Apollo’s Fire has planned for 2024–25, with artistic director Jeannette Sorrell conceiving of the composer as a “guide star” for the season. The yearlong focus on Bach is set to conclude this spring in a “Bachanalia,” a full month of concerts and workshops around Northeast Ohio. [Read more…]

Caleb Hudson pushes his limits in upcoming Apollo’s Fire concerts

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by Stephanie Manning

For trumpet player Caleb Hudson, practicing J.S. Bach’s Brandenburg Concerto No. 2 can feel like training for the Olympics.

“You kind of have to clear your schedule in terms of your repertoire,” Hudson said in a recent interview. “Not only does it take a lot of time to develop that endurance, but it’s just such a specialized piece that requires so much energy — it’s so nerve wracking.”

But Hudson loves the challenge, and Brandenburg No. 2 has become one of his signature pieces. The trumpeter has performed it with orchestras around the country and during the decade he spent as a member of the Canadian Brass. And he’s once again putting his Olympic training plan in action, as he gears up to perform the work with Apollo’s Fire on October 18, 19, 20, and 22. [Read more…]

Apollo’s Fire: festive, virtuosic Bach (Apr. 26)

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by Peter Feher

Apollo’s Fire resurrected its take on J.S. Bach’s Easter Oratorio over the weekend, returning to this choral masterpiece that the ensemble last presented almost two decades ago.

Performances of the Easter Oratorio don’t exactly abound every year, and the reason is less than straightforward. Staging the work is something of a production, approaching the monumental scale of similar Bach compositions — the Passions, the B-Minor Mass, the Christmas Oratorio — but nowhere near as imposing. This contrast has meant that a great piece of music has sometimes been treated as not quite great enough.

Which is a shame because the Easter Oratorio is one of Bach’s most consistently uplifting scores. [Read more…]

Aryeh Nussbaum Cohen to make Apollo’s Fire debut in two of J.S. Bach’s Easter works

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by Daniel Hathaway

Countertenors lead interesting and varied professional lives that are reflected in the wide range of roles they sing.

Take the example of Aryeh Nussbaum Cohen, who will make his Apollo’s Fire debut this weekend in a pair of Johann Sebastian Bach’s rarely performed Easter works.

Cohen, who graduated from Princeton in 2015, will come to Cleveland immediately after returning to his alma mater to sing the role of the Angel in Edward Elgar’s mystical Roman Catholic oratorio The Dream of Gerontius. 

And with Apollo’s Fire, the countertenor, who grew up in a Jewish household, sang in synagogue, and studied cantorial music, will sing the allegorical role of Fear (Furcht) in Bach’s Cantata 66, then take on the persona of Mary Magdalene in the composer’s Easter Oratorio —  two Pietist Lutheran works.

“My two alter egos,” Cohen quipped in a recent telephone interview. [Read more…]

DIARY: Thursday, April 25, 2024

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by Daniel Hathaway

HAPPENING TODAY:

Beginning tonight at 7:30 pm at Federated Church in Chagrin Falls, Apollo’s Fire — under the direction of Jeannette Sorrell —  reaches back a mere 300 years to celebrate Easter with the closest Johann Sebastian Bach came to penning opera: the Easter Oratorio and an Easter Cantata with soloists Andréa Walker, soprano, Aryeh Nussbaum Cohen, countertenor, Haitham Haidar, tenor, and Edward Vogel, baritone, taking on dramatic roles. Festive baroque trumpets add to the celebration. Performances continue on Friday (7:30 at St. Raphael, Bay Village), Saturday (8 pm at St. Paul’s, Akron), and Sunday (5 pm at Church of the Gesu, University Hts.) Tickets available online.

For more performances, visit our Concert Listings.

[Read more…]

Apollo’s Fire “Hispania, a Voyage from Spain to the Americas” (Mar. 21)

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by Kevin McLaughlin

Apollo’s Fire makes the enjoyment of old music easy. Less interested in the virtues of museum preservation, this band delights in having practices and creations of the past party with the present.

Their most recent show, “Hispania, a Voyage from Spain to the Americas,” is ostensibly an excursion by sea through sixteenth-century Spain and Latin America in ballades, dances, and instrumental fancies. But where another period ensemble might have rowed their boat with deliberate and reverential strokes, Jeannette Sorrell and her joyous troupe made this trip a theatrical thrill ride. I attended the performance at St. Rocco Parish on March 21.

[Read more…]

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