Aron Accurso Archives - Cleveland Classical

Cleveland Chamber Choir: a conversation with Gregory Ristow

February 15, 2023 by Daniel Hathaway

by Daniel Hathaway

The next pair of concerts by Cleveland Chamber Choir this weekend will be led by Gregory Ristow, associate professor of conducting and director of vocal ensembles at Oberlin Conservatory, who has been appointed acting artistic director of the ensemble following the mid-season announcement of founding director Scott MacPherson’s retirement.

The program, “Of Sound Mind: From Darkness into Light,” explores the universality of grief and sorrow, helping us to embrace our common humanity in the struggles we individually and collectively experience. Free performances will take place on Saturday, February 18 at 7:30 pm at St. Noel Church in Willoughby Hills and on Sunday, February 19 at 3:00 pm at the Maltz Performing Arts Center in Cleveland. A pre-concert talk with Oberlin musicologist Charles Edward McGuire will begin 30 minutes prior to each performance.

After their Cleveland concerts, the Choir will perform at the 2023 National Conference of the American Choral Directors Association in Cincinnati later this month. Of the hundreds of choirs from across the country that auditioned, CCC was one of 28 choirs invited to perform, and will send 32 singers to perform two 25-minute performances to thousands of attendees.

I reached Gregory Ristow by telephone to chat about the repertoire for this weekend, and began by asking how much input he had into the program. [Read more…]

Singers’ Club of Cleveland: To Dwell in Harmony (Dec. 9)

by Kevin McLaughlin

The Singers’ Club of Cleveland brought the joy of the season to Trinity Cathedral on Tuesday evening with a program titled To Dwell in Harmony, a holiday offering both polished and good-humored. The venerable all-male chorus — whose lineage stretches back to 1891 and includes collaborations with conductors from Beryl Rubinstein to Robert Shaw — now finds itself under new leadership.

Christopher Clark, appointed in August as Artistic Director (while serving concurrently as Director of Choirs at Case Western Reserve University), led his first Singers’ Club concert with easy command. The chorus appeared to trust him from the first downbeat, and the audience received him just as warmly.

Trinity Cathedral, whose acoustics can flatter or expose a chorus in equal measure, proved an asset. The evening opened with one of its most effective moments: Veni, Veni Emmanuel in John Englert’s arrangement. Clark placed the choir on three sides of the audience, creating a surround-sound of chant that was silky and assured — a confident beginning. [Read on…]

Les Délices welcomes the festive season with “Noel, Noel” (Dec. 7)

by Stephanie Manning

Once December kicks in, an almost overwhelming number of holiday programs pop up around Northeast Ohio. But Les Délices’ offering should draw your attention.

While other festive concerts may create the atmosphere of a bustling party by the fireplace, “Noel, Noel” is like observing a snowy evening from the warmth of the indoors. This is music best enjoyed in quiet contentment, and especially live — so it’s no surprise that the early music ensemble brought back this signature program for three performances this month.

On December 7 at West Shore Unitarian Universalist Church, the six-member group presented a lovely ninety-minute program, which is also available on CD and via streaming until the end of the year. [Read on…]

Cleveland Chamber Choir: In Four Voices (Dec. 3)

by Kevin McLaughlin

Renaissance polyphony can bloom in resonant spaces, but the Donna and James Reid Gallery at the Cleveland Museum of Art presents particular challenges: hard surfaces and a long reverb tend to blur consonants into watercolor. The Cleveland Chamber Choir’s four-voice ensemble met those conditions head-on during its “In Four Voices” program on December 3. What emerged was an evening of consistently beautiful vocal timbre shaped by a group navigating the sonic characteristics of the room.

The concert, to be followed in January and March by appearances of various-sized ensembles, is part of a new development for the Cleveland Chamber Choir, called the Camerata Series — more information here.

To improve their chances of hearing one another, the quartet — soprano Lauren Vanden Broeck, mezzo-soprano Kira McGirr, tenor Joel Kincannon, and bass Dominic Aragon — stood in a traditional “part book” formation, like a diamond, facing inward. This meant that their sound was directed toward each other, rather than outward to the listeners around them. [Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us