by Nicholas Stevens
A white picket fence, a suburban home interior, a blue sky dotted with puffy clouds — and six opera singers, each decked out in a distinct color ranging from deep purple to highlighter orange: such were the sights onstage on the opening night of Baldwin Wallace Conservatory’s production of Domenico Cimarosa’s Il Matrimonio Segreto last week. The show’s bright imagery — Pixar meets Japanese anime, inside a dollhouse — complemented the vibrant acting and spirited singing of the student performers.
A new era began this weekend for the revered Baldwin Wallace Bach Festival, now in its 83rd season, with a new artistic director, Dirk Garner, and orchestral conductor Octavio Más-Arocas. In any such transition the new regime has the opportunity to assess tradition and determine the direction forward. If the first concert of the 2015 festival on Friday, April 17, in BW’s Gamble Auditorium, is any indication, the organization is in good hands, with a vivid sense of imagination and purpose, yet not losing track of the past. 
There’ll be a festive fanfare when Spanish-born conductor Octavio Más-Arocas conducts his first concert with the Baldwin Wallace Symphony Orchestra on Friday, September 26, but that new piece by Kevin C. Thompson is only the first of several curtain-raisers BW’s new orchestral maestro has planned in a continuing series he calls “The Symphony Orchestra Fanfare Project.”