Bascomb-Little Fund Archives - Cleveland Classical

News: Application deadlines coming up in April

March 29, 2016 by Daniel Hathaway

Application deadlines that fall during the month of April include The Cleveland Orchestra Youth Orchestra and the Cleveland Orchestra Choruses, the Encore Chamber Music Summer Program, the Bascomb-Little Fund, the Linda and Mitch Hart Institute for Women Conductors, and Make Music Cleveland. [Read more…]

NEOSonicFest: a conversation with Cleveland Chamber Symphony’s Stephen Smith

March 9, 2016 by Daniel Hathaway

by Daniel Hathaway

NEOSonicFest, now in its third season, is the invention of the Cleveland Chamber Symphony, who will anchor the festival’s 2016 programs with concerts on March 9 and 16. Other performances under the NSF umbrella have already featured two concerts by flutist Carlton Vickers sponsored by No Exit, and a performance by FiveOne Experimental Orchestra. The festival will continue with the Contemporary Youth Orchestra in “Music and Its Industry: music from video games” on Saturday, March 12, and a program of works by members of the Cleveland Composers Guild on Sunday, March 13.

“NEOSonicFest is a bit more spread out this year,” Smith said in a telephone conversation from Virginia, where he conducts the Richmond Symphony. “That’s partly so we could capture two weekends, as we like to do, but we also ended up extending it to connect with the Baldwin Wallace Focus Festival. Our final concert on March 16 will also be their opening concert, which is an exciting development.” [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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