Bertrand Chamayou Archives - Cleveland Classical

Cleveland Orchestra Summers@Severance with Mälkki & Chamayou (July 28)

July 31, 2017 by Daniel Hathaway

by Daniel Hathaway

Proving that concerts don’t need to be two hours long to be completely satisfying, Finnish conductor Susanna Mälkki, French pianist Bertrand Chamayou, and The Cleveland Orchestra delighted a large crowd at the second Summers@Severance concert on Friday, July 28 with one concerto and one symphony. [Read more…]

Cleveland Orchestra to present three Summers@Severance Concerts

March 5, 2017 by Special to ClevelandClassical.com

Patrons can enjoy summer concerts by The Cleveland Orchestra in University Circle for the fourth season this July and August. Music Director Franz Welser-Möst, and guest conductors Susanna Mälkki and Patrick Dupré Quigley will lead Friday evening concerts on July 14 and 28 and August 18 in Severance Hall.

The performances begin at 7:00 pm, but a Happy Hour with special drink prices will begin on the front terrace at 6:00 pm, and beverage service will be offered there following each performance. Tickets are now on sale for the three-concert package, with individual tickets available beginning May 1.

Here are the program details: [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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