by Mike Telin
Two personal interests of composer Ralph Vaughan Williams were poetry and the violin, both of which are magically entwined in his work for violin and orchestra, The Lark Ascending, inspired by George Meredith’s poem of the same name. The composer’s wife Ursula wrote that in the work Vaughan Williams had “taken a literary idea on which to build his musical thought…and had made the violin become both the bird’s song and its flight…”
On Saturday, November 23 at 7:30 pm at the Church of the Covenant, violinist James Thompson will join the BlueWater Chamber Orchestra in Vaughan Williams’ethereal, single-movement work. Under the direction of Daniel Meyer, the English-themed program — Interlaced Brilliance and Love — also includes Gerald Finzi’s Love’s Labour’s Lost, and Franz Joseph Haydn’s Symphony No. 104 (“London”). The program will also be presented on Friday the November 22 at Rocky River Presbyterian Church. (Pay-what-you-wish format).
During a recent telephone conversation, Thompson, who is BlueWater’s guest concertmaster this season, said that he understood that the work was under consideration when he was asked to join the ensemble. “I know Daniel is excited to include it on the program, so in a lot of ways, mathematically and logistically, it fits the bill. And it’s actually going to be a first performance for both of us. I’ve not had the opportunity to play the piece either, so we’ll be discovering it together this week.”
On October 5 at the Church of the Covenant, artistic director Daniel Meyer led the BlueWater Chamber Orchestra in an engaging program of new and familiar works, including David Biedenbender’s River of Time, with former BlueWater principal trumpet and co-artistic director Neil Mueller as soloist.
When Carlton Woods was set to retire from his post at Michigan’s Midland Symphony Orchestra in 2007, the longtime music educator and conductor, along with his wife Ladonna, set his sights on Cleveland.
The Carnival of the Animals
In a pre-holiday offering, Bluewater Chamber Orchestra’s audience received gifts simple and somber, with intermittent thrills, on Friday evening, November 17. In an all-American program, the pleasures were many: Cindy McTee’s moving 
Accordionist Hanzhi Wang held the Church of the Covenant audience in thrall on March 4 as she demonstrated mastery of the wild marvel that is her instrument in a performance of Piazzolla’s Bandoneon Concerto. The BlueWater Chamber Orchestra and conductor Daniel Meyer provided able accompaniment there, as well as lovely accounts of works by Arriaga and Copland in this Latin-tinged program.