Bobby Wesner Archives - Cleveland Classical

Canton Symphony: Feasting on Carmina Burana (Apr. 21)

May 1, 2018 by Special to ClevelandClassical.com

by Tom Wachunas

Thanks to all the pre-publicity surrounding this season-ending performance from the Canton Symphony Orchestra, there wasn’t an empty seat in Umstattd Performing Arts Hall on April 21. We were promised a musical feast of epic proportions, to be served piping-hot by 86 instrumentalists, combined choirs numbering more than 100 voices, three solo vocalists, and a modern dance troupe. So we arrived hungry. [Read more…]

Cleveland POPS: an evening of Gershwin with pianist-raconteur Richard Glazier (April 29)

May 11, 2016 by Daniel Hathaway

by Daniel Hathaway

Tasting menus can give diners a good overview of the capabilities of a restaurant. On Friday, April 29 at Severance Hall, Carl Topilow and the Cleveland POPS Orchestra offered a similar experience, using the music of George Gershwin to give the capacity audience a broad view of that versatile composer’s unique accomplishments — from popular song to Broadway, from jazz to symphonic music — with the delightful assistance in the second half of pianist, raconteur, and social historian Richard Glazier. [Read more…]

Canton Symphony: Embracing Terpsichore (Nov. 21)

November 30, 2015 by Daniel Hathaway

by Tom Wachunas

In Classical mythology, Terpsichore, the daughter of Zeus and Mnemosyne, is the Muse of Dance. On November 21, she was present at Umstattdt Performing Arts Hall, in all her poetic vivacity, for a magnificent performance by the Canton Symphony Orchestra (CSO). [Read more…]

Christmas with Cantus at Tuesday Musical (Nov. 30)

by Peter Feher

Tuesday Musical gave Akron audiences a generous Christmas gift this year. The presenter tied three holiday classics together in one sumptuous concert on Sunday afternoon, November 30, at E.J. Thomas Hall. First up was the story of The Velveteen Rabbit, followed by a quick waltz through The Nutcracker and a ride on The Polar Express.

Delightfully, this trio of tales was recounted with drama and poise — not by any actors or dancers but by the eight members of the all-male a cappella ensemble Cantus. The group, based in Minnesota and now in its fourth decade, is once again touring the country with a polished, compact production of carols, pop tunes, and of course Tchaikovsky.

Oberlin Music Theater soars in The Great Comet of 1812 (Dec. 3)

by Peter Feher

The stars aligned for Oberlin Music Theater’s production of Natasha, Pierre & The Great Comet of 1812, suggesting a bright future for the college’s newest area of study.

Oberlin Conservatory has cultivated young talent for more than 150 years, but musical theater only entered the curriculum this semester. The program’s first students arrived in the fall under director and professor Victoria Bussert, who brought with her several colleagues from Baldwin Wallace University — including a few who collaborated on her 2023 staging of Great Comet for Cleveland’s Great Lakes Theater company.

Even for the experienced, this show is a massive undertaking, with a story adapted from Leo Tolstoy’s War and Peace and a score demanding stamina and stylistic range. But nothing daunted the student actors on opening night, December 3. Not the immersive direction by Bussert, nor the energy-intensive choreography by Alex Sanchez. (Two casts alternated in eight performances through December 10.)

Cleveland Orchestra channels all things merry, bright in Holiday Concert at Severance (Dec. 13)

by Kevin McLaughlin

Photo by Roger Mastroianni

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Holiday concerts trade on familiarity, but the best of them feel less like ritual and more like reunion.

On Saturday evening, Dec. 13 at Mandel Concert Hall, The Cleveland Orchestra welcomed a full house for the second of its twelve annual Holiday Concerts, a tradition that dates back to 1919.

Led by guest conductor Sarah Hicks, with soprano Meredith Wohlgemuth and the Cleveland Orchestra Chorus, and members of the Blossom Festival Chorus under the direction of Lisa Wong, the evening unfolded with easy charm.

Throughout the performance, Hicks proved an ideal guide. Her conducting was clear and unshowy, her rapport with the audience unaffected and delightful.

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