by Kevin McLaughlin

What linked this varied program was its ballad-like storytelling, direct expression, and an unembarrassed urge to communicate.
Gayle Getts and the JCU Wind Ensemble opened with Aaron Copland’s noble Fanfare for the Common Man in Robert Longfield’s arrangement for band. Written during World War II as part of Eugene Goossens’ fanfare project, Copland’s valedictory has outlived its companions and settled comfortably into the culture. Modest in numbers (about 19 players), the ensemble had a town-band quality — a little rough around the edges — but they were well prepared, and in obvious sympathy with the music they were there to perform. [Read more…]



