by Daniel Hathaway
The Juilliard Quartet, just back from a series of concerts in Europe, are next up on the Cleveland Chamber Music Society’s series at Plymouth Church in Shaker Heights. The group will play quartets by Anton Webern, Joseph Haydn and Franz Schubert on Tuesday, December 2 at 7:30 in collaboration with the Winter Chamber Music Festival of the Cleveland Institute of Music.
British-born violist Roger Tapping joined the Juilliard two seasons ago after playing for a decade with the Takács Quartet. We reached him by Skype at his home northeast of Boston to chat about the quartet’s recent activities and the program it has planned for Cleveland next week.
Daniel Hathaway: How did you enjoy your time in Spain?
Roger Tapping: It was lovely, thanks. Unusually for a trip like this, three concerts were in Bilbao and the rest were within driving distance, so we had a whole week in the same hotel. We got to explore the city somewhat and we all went separately to the Guggenheim Museum. I even got to their great restaurant, which is an experience in itself. [Read more…]
Pity poor Johannes Brahms, whose op. 51, no. 1 quartet came last on the program played by the excellent Belcea Quartet on the Cleveland Chamber Music Society series last Tuesday evening at Plymouth Church. He didn’t really stand a chance after the emotionally wrenching performance the quartet had just given of Alban Berg’s Lyric Suite. 
“We’ve played several times on the series and we’re very happy to be back,” Belcea Quartet violist Krzysztof Chorzelski said during a telephone conversation from London, the quartet’s home base. “We love playing in Cleveland and we have very nice memories. The audience is always very special.” On Tuesday, October 21 at 7:30 in Plymouth Church The 
When you mostly present ensembles as portable as string quartets, what do you do when an ensemble requires a whole lot of percussion? In the case of the Cleveland Chamber Music Society and eighth blackbird, you move the concert to where the percussion lives — to Cleveland State University’s Waetjen Auditorium, where the celebrated new music sextet performed their acoustic program, “Still in Motion,” on Tuesday evening, April 29.
Today, we complete our preview of eighth blackbird’s repertory for the ensemble’s program next Tuesday, April 29 at 7:30 in Waetjen Auditorium at Cleveland State University. Spokesman and flutist Tim Munro shares his personal reflections about pieces eighth blackbird will perform composed by Richard Parry, Brett Dean, and Steven Mackey.
“Expect the unexpected,” eighth blackbird’s spokesman/flutist Tim Munro told our readers in the first of these previews, but he didn’t mean that patrons should go in uninformed. Today, Tim delves into the background of two of the pieces on the ensemble’s program next Tuesday, April 29 at 7:30 in Waetjen Auditorium at Cleveland State University.
What does eighth blackbird flutist Tim Munro want audiences to know about their Cleveland Chamber Music Society program titled Still in Motion? “There are a lot of things that I love about this program, the surprising twists and turns that it takes. But I would say to expect the unexpected.”