by Lilyanna D’Amato
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
Thus begins the eighth stanza of Wallace Stevens’ intensely evocative poem Thirteen Ways of Looking at a Blackbird, which describes the haunting flight of a blackbird against the backdrop of a devastatingly still, snowy night.
Enigmatic but vivid, Stevens’ imagery now serves as the artistic cornerstone of a premiere contemporary classical ensemble: Eighth Blackbird. [Read more…]
When you mostly present ensembles as portable as string quartets, what do you do when an ensemble requires a whole lot of percussion? In the case of the Cleveland Chamber Music Society and eighth blackbird, you move the concert to where the percussion lives — to Cleveland State University’s Waetjen Auditorium, where the celebrated new music sextet performed their acoustic program, “Still in Motion,” on Tuesday evening, April 29.
Today, we complete our preview of eighth blackbird’s repertory for the ensemble’s program next Tuesday, April 29 at 7:30 in Waetjen Auditorium at Cleveland State University. Spokesman and flutist Tim Munro shares his personal reflections about pieces eighth blackbird will perform composed by Richard Parry, Brett Dean, and Steven Mackey.
“Expect the unexpected,” eighth blackbird’s spokesman/flutist Tim Munro told our readers in the first of these previews, but he didn’t mean that patrons should go in uninformed. Today, Tim delves into the background of two of the pieces on the ensemble’s program next Tuesday, April 29 at 7:30 in Waetjen Auditorium at Cleveland State University.
What does eighth blackbird flutist Tim Munro want audiences to know about their Cleveland Chamber Music Society program titled Still in Motion? “There are a lot of things that I love about this program, the surprising twists and turns that it takes. But I would say to expect the unexpected.”