Cleveland Uncommon Sound Festival Archives

RE:Sound 2022— “New Music” for everyone

June 6, 2022 by Mike Telin

by Mike Telin

Since its founding, Cleveland Uncommon Sound Project (CUSP) has engaged the Northeast Ohio community by championing the creation and performance of new music. One of the ways it does that is through its annual Re:Sound Festival of New and Experimental Music.

Judging from the stellar lineup of musicians the organizers have assembled, the 2022 edition of Re:Sound — which runs from June 9 through June 12 — promises to once again deliver a musically adventurous experience.

“More than ever the phrase ‘new music’ is becoming a broad umbrella term that encapsulates all kinds of styles. So we wanted this year’s festival to reflect that as best as we could.” CUSP’s managing director Stephen Haluska (above) said during a recent Zoom call. [Read more…]

Re:Sound 2021 gives audiences the freedom to explore through interactive approach

May 28, 2021 by Stephanie Manning

by Stephanie Manning

After taking a year off, the Cleveland Uncommon Sound Project (CUSP) is gearing up for its return with Re:Sound 2021, an innovative, online music festival that will premiere on June 3. Faced with an influx of pandemic-fueled virtual concerts, “we decided to take a season to reconnect and think about what we wanted to do,” artistic director Sophie Benn said in a recent interview. She added that finally putting on an event again “feels amazing.”

An annual showcase of new and experimental music, CUSP’s Re:Sound Festival features artists from both the Cleveland area and around the country. COVID precautions will keep the 2021 Festival online this year — however, its approach to the new format is as unique as the music it will present. A variety of pre-recorded videos from all ten artists will go live on June 3 and be available through June 30, allowing audiences to watch whatever they want, whenever they want.

“I feel like I have a very poor attention span when I’m at my computer, and I think a lot of people feel that way,” Benn said. “We wanted to give people a lot of agency to experience the music on their own terms.” [Read more…]

Cleveland Uncommon Sound Festival seeks home hosts

March 26, 2018 by Daniel Hathaway

CUSP is in need of hosts to offer homestays to out-of-town erformers during its inaugural festival from June 6-11. [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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