Cristian Măcelaru Archives - Cleveland Classical

Cleveland Orchestra at Blossom with Cristian Măcelaru & Augustin Hadelich (Aug. 26)

August 29, 2017 by Daniel Hathaway

by Daniel Hathaway

Anyone who’s still roasting that old canard about the elitism of classical music should have witnessed the scene at Blossom on Saturday evening, August 26. The immense crowd that gathered on the lawn and in the pavilion had turned out to hear The Cleveland Orchestra doing what it does best — playing great works in the orchestral repertoire with depth and brilliance, on this occasion under the Romanian-born guest conductor Cristian Măcelaru and with the German-Italian violinist Augustin Hadelich. [Read more…]

Blossom: Cristian Măcelaru on conducting, posterity, and socially conscious music

August 19, 2017 by Jarrett Hoffman

by Jarrett Hoffman

At seventeen, Cristian Măcelaru wanted to conduct. First he had to wait.

‘Keep studying violin, then we’ll talk’ was the message from conductor Larry Rachleff, who had inspired Măcelaru’s new interest at Interlochen Arts Camp.

The young violinist took the advice to heart. Now, two decades later, he’s Music Director of the Cabrillo Festival of Contemporary Music; has served as Conductor-in-Residence, Associate, and Assistant Conductor with the Philadelphia Orchestra; and has led subscription concerts with the New York Philharmonic, Chicago Symphony, and Los Angeles Philharmonic.

And on Saturday, August 26 at 8:00 pm, he’ll make his Cleveland Orchestra debut at Blossom Music Center with a program of Dvořák’s Violin Concerto and Holst’s The Planets. “I’m extremely humbled to conduct this orchestra that I’ve admired for my entire life,” he said in a recent conversation.

[Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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