by Daniel Hathaway
When BlueWater Chamber Orchestra made its debut at the Breen Center on September 12, 2010, its founder and conductor Carlton Woods introduced the new ensemble with an ambitious program of works that included Maurice Ravel’s Le Tombeau de Couperin, Howard Hanson’s Serenade for Flute, Harp and Strings, Ludwig van Beethoven’s Romance in F for violin and orchestra, Edward Elgar’s Serenade for Strings, and Argentine composer Alberto Ginastera’s Variaciones Concertantes.
In a review of that performance, I wrote
The orchestral showpiece of the afternoon was Ginastera’s Concert Variations, described by Woods as “the South American Young Person’s Guide to the Orchestra.” Beginning with Kent Collier’s big cello solo accompanied by harpist Jody Guinn, the work showcased the fine solo talents of violist Laura Shuster, clarinetist Alix Reinhardt, concertmaster Kenneth Johnston, hornist Ken Wadenpfuhl and bassist Ann Gilbert, as well as the fine ensemble acumen of the rest of the orchestra.
On October 5 at the Church of the Covenant, artistic director Daniel Meyer led the BlueWater Chamber Orchestra in an engaging program of new and familiar works, including David Biedenbender’s River of Time, with former BlueWater principal trumpet and co-artistic director Neil Mueller as soloist.
The Carnival of the Animals
In a pre-holiday offering, Bluewater Chamber Orchestra’s audience received gifts simple and somber, with intermittent thrills, on Friday evening, November 17. In an all-American program, the pleasures were many: Cindy McTee’s moving