Daniela Liebman Archives - Cleveland Classical

Concert-hopping in University Circle: pianist Daniela Liebman at CMA & organist Jonathan Moyer at The Covenant (Oct. 13)

October 29, 2019 by Daniel Hathaway

by Daniel Hathaway

The nice thing about cultural density is that you can catch more than one concert in an afternoon without much travel or downtime. On Sunday, October 13 at 2:00 pm, the Tri-C Classical Piano Series brought 17-year-old Mexican pianist Daniela Liebman to Gartner Auditorium at the Cleveland Museum of Art. Then at 4:00 pm, Church of the Covenant organist Jonathan Moyer celebrated his first decade in Cleveland with a recital using both of the organs in the nave. Beautiful fall weather in University Circle both enhanced the experience and took its toll on audiences. [Read more…]

Mexican pianist Daniela Liebman returns to Tri-C Classical Piano Series

October 8, 2019 by Daniel Hathaway

by Daniel Hathaway

She was fourteen when she first played on the Tri-C Classical Piano Series in 2016. Three years later, Mexican pianist Daniela Liebman returns for a free recital of works by Beethoven, Debussy, Prokofiev, and Chopin on Sunday, October 13 at 2:00 pm in Gartner Auditorium at the Cleveland Museum of Art.

The original invitation to play in 2016 came through Antonio Pompa-Baldi. “He was on the jury when I won the Russian Piano Competition in California at the age of nine,” Liebman said by telephone from Fort Worth, Texas. “I came to Cleveland to study with him for a couple of months, and I was delighted that he and Emanuela Friscioni invited me to play on the Tri-C series.”

Born in Guadalajara to an American father and Mexican mother, Liebman began studying the piano at a young age. “My dad’s a violinist who graduated from Eastman, but he ended up going into business. He started me on piano at the age of five. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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