Daniela Liebman Archives - Cleveland Classical

Concert-hopping in University Circle: pianist Daniela Liebman at CMA & organist Jonathan Moyer at The Covenant (Oct. 13)

October 29, 2019 by Daniel Hathaway

by Daniel Hathaway

The nice thing about cultural density is that you can catch more than one concert in an afternoon without much travel or downtime. On Sunday, October 13 at 2:00 pm, the Tri-C Classical Piano Series brought 17-year-old Mexican pianist Daniela Liebman to Gartner Auditorium at the Cleveland Museum of Art. Then at 4:00 pm, Church of the Covenant organist Jonathan Moyer celebrated his first decade in Cleveland with a recital using both of the organs in the nave. Beautiful fall weather in University Circle both enhanced the experience and took its toll on audiences. [Read more…]

Mexican pianist Daniela Liebman returns to Tri-C Classical Piano Series

October 8, 2019 by Daniel Hathaway

by Daniel Hathaway

She was fourteen when she first played on the Tri-C Classical Piano Series in 2016. Three years later, Mexican pianist Daniela Liebman returns for a free recital of works by Beethoven, Debussy, Prokofiev, and Chopin on Sunday, October 13 at 2:00 pm in Gartner Auditorium at the Cleveland Museum of Art.

The original invitation to play in 2016 came through Antonio Pompa-Baldi. “He was on the jury when I won the Russian Piano Competition in California at the age of nine,” Liebman said by telephone from Fort Worth, Texas. “I came to Cleveland to study with him for a couple of months, and I was delighted that he and Emanuela Friscioni invited me to play on the Tri-C series.”

Born in Guadalajara to an American father and Mexican mother, Liebman began studying the piano at a young age. “My dad’s a violinist who graduated from Eastman, but he ended up going into business. He started me on piano at the age of five. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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