by Daniel Hathaway
When you’re programming English Baroque music by Handel and Purcell for an American orchestra, it’s helpful to have a native Englishman in charge, especially someone who has produced music in some of the same halls as those storied composers. Having served early in his career as sub-organist at Westminster Abbey, Harry Bicket knows how to recreate British pomp and ceremony on this side of the pond, as he demonstrated in a scintillating concert with The Cleveland Orchestra on Saturday evening, April 1 in Severance Hall. [Read more…]