Emilia Amper Archives - Cleveland Classical

The Border Woods at CMA:
a conversation with Frode Haltli
& Emilia Amper

March 28, 2017 by Mike Telin

By Mike Telin

When the Osa Festival in Voss, Norway commissioned Norwegian composer and accordionist Frode Haltli to write a full concert-length work, he knew he wanted to compose a piece that would combine the improvised qualities of traditional Scandinavian folk music with classical, notated music. “From Edvard Grieg on, a lot of Norwegian composers have been interested in traditional music, and used it as a source of inspiration,” Haltli said during a telephone conversation from Norway.

On Wednesday, March 29 at 7:30 pm in Gartner Auditorium, the Cleveland Museum of Art will present Frode Haltli’s The Border Woods (Grenseskogen). The performance will feature Frode Haltli (accordion), Emilia Amper (nyckelharpa), and Eirik Raude (percussion).

“I love the sound of the nyckelharpa,” Haltli said, “and Emilia is one of the great folk musicians in Scandinavia. [Read more…]

Cleveland Museum of Art announces 2016-2017 Performing Arts schedule

September 20, 2016 by Daniel Hathaway

by Daniel Hathaway

The new performing arts season at the Cleveland Museum of Art begins on Wednesday, September 21 at 7:30 pm in Gartner Auditorium with a concert by Dona Onete, the septuagenarian singer-composer from the state of Pará in the Amazon, who merges indigenous rhythm and dance with African, European and Caribbean traditions in a style called carimbó chamegado*. [Read more…]

Cleveland Museum of Art announces 2016-2017 Performing Arts schedule

September 20, 2016 by Daniel Hathaway

by Daniel Hathaway

The new performing arts season at the Cleveland Museum of Art begins on Wednesday, September 21 at 7:30 pm in Gartner Auditorium with a concert by Dona Onete, the septuagenarian singer-composer from the state of Pará in the Amazon, who merges indigenous rhythm and dance with African, European and Caribbean traditions in a style called carimbó chamegado*. [Read more…]

Les Délices’ elaborate, entertaining Aesop Project (Nov. 22)

by Peter Feher

In the 1670s, Louis XIV commissioned a series of 39 fountains for the Gardens of Versailles, each modeled on a story from Aesop’s Fables and intended for the education of the king’s young son, the Dauphin.

The Aesop Project, the latest community offering from Les Délices and artistic director Debra Nagy, is slightly less ornate but just as inspired. Cleveland’s ever-resourceful period chamber ensemble partnered with local puppeteers and poets for this family-friendly program teaching music and morals.

After touring Northeast Ohio schools earlier in the week, the project received a public performance at the CMA Community Arts Center on Saturday morning, November 22. Children, parents, and committed patrons of early music sat down for the 35-minute show, surrounded by spectacular displays of costumes and props from the Cleveland Museum of Art’s annual Parade the Circle celebration.

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

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