ENCORE Archives - Cleveland Classical

ENCORE delights with Mozart & Tchaikovsky (June 17)

June 28, 2018 by Delaney Meyers

by Delaney Meyers

ENCORE Chamber Music festival continued on Sunday, June 17 at Gilmour Academy’s Tudor House with Mozart’s String Quintet No. 3 in C and Tchaikovsky’s Souvenir de Florence. Festival director and violinist Jinjoo Cho and faculty artists violist Eric Wong and cellist Si-Yan Darren Li were joined by guest violist Mathieu Herzog, as well as two ENCORE Festival student artists, violinist Aaron Chan and cellist Tate Zawadiuk. [Read more…]

ENCORE Chamber Music: the Miró Quartet (June 8)

June 19, 2018 by Delaney Meyers

by Delaney Meyers

Miro2 After mixing up the start time, I arrived to the Miró Quartet concert on Friday evening, June 8 just in time to witness the aftermath of violist John Largess’ two broken strings. For their relatively short length and narrow width, those strings caused quite the wave of amused chatter in the Tudor House at Gilmour Academy. [Read more…]

Mark Kosower at Trinity: Bach Suites Part Two (July 31)

by Nicholas Stevens

Would it matter if the best-ever performance of Bach’s Suites for solo cello took place in a cinder block closet with no one listening? The question, which one could safely and simply answer “no,” may seem like a dull retread of the classic “if a tree falls…” formula. However, it raises a question of its own: how much can the venue and framing of a performance do to elevate a musical experience?

Can we attribute some of the special glow of a concert to the room, spoken introductions, and circumstances without giving excellent musicianship short shrift? In the case of a live-streamed concert by cellist Mark Kosower this past weekend, this writer’s answer is yes — or ja, in Bach’s German.

[Read on…]

CD Review — ACRONYM: Cantica Obsoleta

by Jarrett Hoffman

Today, July 24, ACRONYM releases one of the most impressive and enjoyable recordings in recent memory, one that can be appreciated by scholars, aficionados, and plain old music lovers alike.

[Read on…]

Miró Quartet begins Beethoven cycle for Orcas Island Chamber Music Festival (July 16)

by Jarrett Hoffman

The 24 hours leading up to the opening concert of this year’s Orcas Island Chamber Music Festival were, as artistic director Aloysia Friedmann said during a post-recital Q&A, “harrowing.”

[Read on…]

CD Review
Kendra Colton: Late Air —
Music by John Harbison

by Mike Telin

Composer John Harbison has done it all. His numerous awards include a MacArthur Fellowship and a Pulitzer Prize. He has written works for many of America’s leading musical organizations and has served as composer in residence with the Pittsburgh Symphony and the Los Angeles Philharmonic. His catalogue includes three operas, seven symphonies, twelve concerti, a ballet, six string quartets, numerous chamber works, and a large body of sacred music. On her latest CD, Late Air — Music by John Harbison, soprano and Oberlin voice professor Kendra Colton reminds us that the celebrated composer has a special talent for writing art songs — she also proves herself to be a sensitive interpreter of them. [Read on…]

CD Review — Jupiter String Quartet: Metamorphosis

by Jarrett Hoffman

Occasionally, a performance or recording is so well-crafted that a critic feels compelled to put away their journalistic spectacles and their cool, distant approach and put on a giant foam hand. That was my experience with the Jupiter String Quartet’s new album, Metamorphosis, where the ensemble shows off all the special qualities that make their performances such a thrill to hear.

[Read on…]

CD Review
The Cleveland Orchestra: A New Century, Vol. 3

by Jarrett Hoffman

A shared sense of the epic ties together the final two works of A New Century, the three-part live album from Franz Welser-Möst and The Cleveland Orchestra that is also the ensemble’s inaugural release on its own record label.

We begin with the world premiere recording of Okeanos, Bernd Richard Deutsch’s concerto for organ and orchestra, featuring Paul Jacobs as soloist. The title refers not only to the Titan of Greek mythology, but also “to an idea of immense (and sometimes unfathomable) greatness and breadth, which conjures up in my mind the thought of the organ,” as Deutsch writes in his notes. [Read on…]

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