by Stephanie Manning
“HOME,” the theme of this year’s ENCORE – Gates Mills Music & Ideas Festival, has been on Jinjoo Cho’s mind for a while.
“I am a homebody that is not allowed to be at home very much,” the artistic director and violinist said, speaking by phone from a midpoint in her drive from Chicago to Cleveland. She’s lived in Chicago since 2024, when she began teaching at Northwestern University, and she spent six years before that at McGill University in Montreal.
Given that relocation back to the U.S. from Canada, the concept of home “encapsulates a lot of thoughts I’ve had throughout the past two years,” she said. “It’s kind of a peculiar science what conditions need to be met for someone to truly feel secure and safe. This festival theme is really my attempt to pinpoint what those conditions are.”
From June 5 to June 20, the eleventh season of ENCORE’s Music & Ideas Festival will present five headline concerts in different venues around Northeast Ohio. These events take place concurrently with the Summer Academy, which provides training, mentorship, and performance opportunities for young musicians ages 13 to 26. Tickets are available online. [Read more…]
Ten years have gone by in a blink for the ENCORE Chamber Music Institute. So it’s only fitting that its official anniversary concert began with a healthy dose of nostalgia.
On Friday, June 10 the Signum Quartet, coming all the way from Germany to ENCORE at Gilmour Academy, played an eclectic program spanning the era of Schubert to rock classics by Led Zeppelin and Radiohead. The theme of this concert was war and politics, and the programming illustrated the revolutionary nature of the music.
“Everyone has a story, and we are all storytellers,” ENCORE Chamber Music founder and artistic director Jinjoo Cho noted during a telephone conversation. “Storytelling is our craft, it’s at the core of everything we do.”
After mixing up the start time, I arrived to the Miró Quartet concert on Friday evening, June 8 just in time to witness the aftermath of violist John Largess’ two broken strings. For their relatively short length and narrow width, those strings caused quite the wave of amused chatter in the Tudor House at Gilmour Academy.